Balloo, Killinchy, A Hidden History

I was delighted to attend the launch of Balloo, Killinchy, A Hidden History by Lesley Simpson, Moira Concannon and Leanna Russell on Saturday, 15th August at Florida Manor, Killinchy. It was a wonderful occasion and a great start for a fascinating and beautifully produced book.

With Rev Dr Stanley Gamble, Rev Dr John Nelson, Lesley Simpson and Moira Concannon

The authors tell the story of the locality through maps, family history, newspaper reports, churches, mills and stores and, most of all, the local houses. Of particular interest to me is the house known as Templebrook Valley which was the home of the Rev Samuel Watson minister in Killinchy from 1797 up to his death in 1856. He was at the centre of one of the major disputes between the Synod of Ulster and the Non-Subscribers in the 1830s and the new Remonstrant meeting house was built for him in Killinchy in 1846.

When the Non-Subscribers were ejected from their original meeting-house, for three years they held services in the grounds of his house. The book tells the story of the Rev Samuel Watson and his ‘long and interesting life from his suspected involvement with the United Irishmen to his move towards Unitarianism’. One of 13 children, three of them becoming Non-Subscribing Presbyterian ministers, Samuel Watson was also a significant farmer in the locality. Sadly his house was left to fall into dereliction in the twentieth century although a new house has now been restored on the site.

There is a great deal in the book about Samuel Watson. At the stone-laying ceremony for his new meeting-house it was reported that:

…seventy clergymen and strangers joined the congregation for a celebration which culminated in a substantial dinner, in a commodious wooden house that had been erected for the occasion with the Rev. Samuel Watson presiding.

I was particularly amused by one quotation taken from James Gourley in 1874, a perhaps not entirely unbiased commentator, who asked an old man who had sat under Samuel Watson’s feet:

What sort of doctrines did he preach? ‘Ohm’ said he ‘at that time there was no word about doctrine.’ ‘And what then did he preach about?’ ’Mainly about far away countries and wild beasts’.

Samuel Watson’s obituary in the Northern Whig described him as ‘…one of the oldest and ablest Ministers of the Church.’

The book is full of detail and uncovers such fascinating stories as the 1893 excavation of Templebrook Valley by the Belfast Natural History and Philosophical Society with the co-operation of Samuel Watson’s two youngest daughters – Anna and Sarah who were photographed at the excavation which uncovered Bronze Age vessels now in the Ulster Museum.

The view from the back of Florida Manor

The book is richly illustrated throughout and is full of fascinating information. It is a credit to its authors and will be enjoyed by all with an interest in local history, the history of county Down and Irish Presbyterian history. The launch was a splendid occasion at Florida Manor, as the following photographs show.

Belfast City Cemetery

I was pleased to again take part in a tour of Belfast City Cemetery led by Tom Hartley. Tom is now the author of four books on the cemeteries of Belfast and I was pleased also to pick up a copy of his latest work, More Stories from the Belfast City Cemetery. This was his penultimate tour of the last series he would give as part of the Féile an Phobail and like all these tours there was a very large attendance.

Start of the tour, showing some of those present

I see the first guided tour I attended was in March 2022. You can read that account here – Silent yet eloquent Memorials. There are a number of changes to the Cemetery made since that time, like the completion of the visitors’ centre, new signage all around the Cemetery, the restoration of the Vaults – which house the remains of such industrial luminaries as Sir Edward Harland and Thomas Gallaher – and a lot of new planting.

It is a very impressive cemetery, imaginatively laid out and designed by William Gay of Bradford in the shape of a bell (as in Belfast) and it contains some incredible Victorian, Edwardian and later memorials.

Gustavus Heyn, shipping magnate

Some parts are still quite heavily overgrown and other parts have suffered badly from vandalism.

The Jewish section of the graveyard comprises a separate walled section although this has particularly suffered from vandalism and since 1964 Jewish burials now take place at Carnmoney Cemetery.

Entrance to the Jewish Cemetery
Inside the Jewish Cemetery. On the right is the remains of the Tahara, the mortuary chapel

The Cemetery also includes a Commonwealth War Grave Cemetery with 296 burials from the First World War and 274 from the Second World War. There is also a Cross of Sacrifice (the same size as that in Botley Cemetery) and a First World War Screen Wall which carries the names of 74 soldiers who are buried in the First World War plot, 58 soldiers who are buried in unmarked graves and 8 soldiers who are buried elsewhere in the Cemetery.

Cross of Sacrifice
Part of the First World War Screen Wall
Second World War Royal Navy and Merchant Navy graves

There are a lot of significant people from Belfast’s past who were Non-Subscribing Presbyterians who are buried here, perhaps most notable are Lord and Lady Pirrie. Viscount Pirrie was the chairman of Harland and Wolff when the Titanic was built and was to have sailed with his nephew, the designer Thomas Andrews, on its maiden voyage, but was prevented from doing so by illness.

Grave of Lord and Lady Pirrie

I have written before about one of the most notable Non-Subscribing Presbyterian ministers buried here, the Rev John Scott Porter, and was pleased to hear from his great great great granddaughter as a result. He is buried with his brother, William, who was once the attorney general at the Cape Colony, and actually introduced at that time a franchise that was inclusive of all races. The Celtic Cross that marks their grave is one of the most impressive in the cemetery:

The grave of Rev John Scott Porter and William Porter

I also produced a short video about John Scott Porter at that time. This is available to view here:

Click above to see the video
The grave of Florence and Albert James Lewis, the parents of C.S. Lewis
The tour at the Vaults and Central Steps

Postcards by A.D. Coon

In this post we are looking at some more examples of the work of Allen Daniel Coon. The total output of postcards he produced between 1902 and his death in 1938 must have been enormous and they covered a very wide geographical area. I hadn’t noticed that one card I picked up a few years ago was by him:

Old Cemetery, Ballycarry, 1929

This was produced for John McKee News Agent and Confectioner, Ballycarry, and is interesting because he has labelled different features of the graveyard, although you can only see the tip of the spire of St John’s Parish Church and can’t see the ruins of the old church at all as they are obscured by trees.

This is what the ruins look like today:

Ruins of Templecorran Church, Ballycarry

You can read about our recent visit to this graveyard here.

Allen Coon produced a lot of postcards for this part of County Antrim in the later 1920s, in this case giving his location as Moira, NI. Five years earlier his postcards produced for Mrs Johnston, Draper & Boot Merchant, Hillsborough still give his location as Letterkenny:

Town Hall and Court House, Hillsborough, 1924

Interior of Parish Church, Hillsborough, 1924

The cards produced in Antrim in 1927 stand out from the others having a large border and a glossy finish. This time they are published for Mrs Simpson, Newsagent and Stationer, Antrim, who must have wanted something different in terms of design. By this time he is well settled in Moira:

First Antrim Presbyterian Church, 1927

Motor Boats on Lough Neagh at Antrim, 1927

Presumably the motor boats were used as pleasure craft taking people on tours of the Lough.

In Whiteabbey in 1929 he produced about 18 postcards for H. Quiery, Newsagent & Tobacconist. He must have exhausted all the possible views of the surroundings.

Whiteabbey Dam and Mill, 1929
Whiteabbey Memorial Hall, 1929

A lot of Allen Coon’s pictures are straightforward architectural treatments of churches or halls. But this one is slightly different in that a passer-by boldly walks into shot in front of the Whiteabbey Memorial Hall (opened just two years earlier in 1927). Was this pre-arranged to add a bit of extra detail? Or did the lady accidently cross into the frame while he was standing there with his camera? If this was an unforeseen intrusion into his picture he must have liked the look of the finished article since he could easily have taken another one. But there she remains for posterity, out on her messages, captured on film.