Canning Street Presbyterian Church, Liverpool: Then and Now

The solid and imposing structure of Canning Street Presbyterian Church was a feature of that corner of Canning Street and Bedford Street for about 120 years.

I’ve mentioned this church before and used its image as it appears in an aerial view of Liverpool painted from a hot air balloon by John R. Isaac in 1859 and published in New York. (This can be viewed on the Library of Congress site. You can also read the original post by clicking on this link – Seven Churches in Liverpool in 1859 viewed from the air). Below Canning Street Presbyterian Church can be seen in the centre of this section of the picture:

Detail from Liverpool, 1859, part of Birkenhead, the docks, and Cheshire coast Library of Congress

In fact of the seven churches mentioned in that post I have blogged about most of them at one time or another (Hope Street Unitarian Church, the Catholic Apostolic Church and Myrtle Street Baptist Church can all also be seen in this image) but recently I acquired a press photograph of Canning Street Presbyterian Church taken in 1931:

The picture is a bit dark but it shows the edifice built in 1846 and finally demolished in the 1960s. It was built by a denomination of exiled Scots, members of the Free Church of Scotland, which became the Presbyterian Church in England. Later this body united with the United Presbyterian Church (at a ceremony in Liverpool in 1876) to form the Presbyterian Church of England. In 1896 the minister, the Rev Simeon Ross Macphail observed that fifty years previously increasing numbers of Scottish emigrants to Liverpool were not inclined to join the local churches which called themselves Presbyterian but were by then Unitarian in theology. This would be true by the 1840s, although it was not the case a couple of generations before when Scots newly arrived in the city, perhaps influenced by the theological moderatism of the Church of Scotland, were often happy to make common cause with the dissenters.

Canning Street, in its prime location in the wealthiest part of the city flourished for decades until it followed the trend to move out of the by then less fashionable Georgian area of the city to the suburbs. In 1931 they sold up and built a new church in Allerton (now Allerton United Reformed Church). It was at this point that this photo was taken as it was sold to the German Church in Liverpool who moved their location from the very centre of town to Canning Street.

A German-speaking Lutheran congregation had existed in Liverpool since at least 1846. Meeting in various places over the years they had sufficient capital in 1871 to purchase what had been known as Newington Chapel. This had been founded originally as a break away from the Ancient Chapel of Toxteth. Unhappy with the appointment of an Arian (or Unitarian) minister in 1775, a group of Congregationalists built their own chapel on Renshaw Street. From 1811, with the appointment of Rev Thomas Spencer, this congregation grew rapidly and built Great George Street Chapel as a suitable base for his oratorical powers. Unfortunately, Thomas Spencer never took up his place in Great George Street Chapel, when he drowned in a swimming accident in the Mersey, but the congregation moved nevertheless and continued to flourish under the leadership of Rev Dr Thomas Raffles. In the best tradition of non-conformist awkwardness a small minority of the congregation refused to move and stayed in Newington Chapel, stayed, in fact, until 1871 when the German Evangelical/Lutheran Church was able to buy the meeting-house from them.

This congregation remained here until 1931 when the Cheshire Lines Railway Company purchased the site from them for £14,000. That was a good price and more than enough to buy Canning Street Church for just £4,000 in that year, the building being formally opened for Lutheran worship on 25th October 1931.

The site of the church today

Canning Street Church – Deutsche Kirche Liverpool

The German congregation has worshipped on that site ever since but in the 1960s they demolished the old church and replaced it with a rather plain building which doesn’t really catch the eye.

A view of the corner of Canning Street and Bedford Street today. The German Church is opposite the viewer, the site of the one-time Catholic Apostolic Church can be seen on the far left.

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Further reflections on Lime Street

I was back on Lime Street about ten or eleven days after the previous post (Digging up History on Lime Street). Lime Street is most notable for a number of things: the railway station that bears its name and, of course, St George’s Hall.

A pensive and solitary Benjamin Disraeli emerges from the classical splendour of St George’s Hall

But as I went past the road works I noticed that all the setts/cobbles had been removed as well as the old tram lines. I also noticed that a very deep hole had been dug in the road.

Stopping to take a picture a voice from behind me asked ‘Are you in the habit of taking pictures of large holes in the road?’ It was one of the work men who seemed pleased that someone was photographing their handiwork. He and his colleague explained that all the setts had been taken away to be re-used by the Council and that the tramlines had been taken away for scrap. They were widening the pavement, adding a cycle lane and – inevitably – narrowing the road. The hole, apparently, was to allow the planting of trees which would form a barrier between the cycle lane and the road.

Further up the road, in front of Lime Street Station, they have already planted trees and I suppose these will be something similar:

There are a lot of road works going on and safer and well-landscaped roads can only be an improvement but I can’t help wondering what they expect to happen to the current volume of traffic. In the meantime the streets are busy with diggers, barriers and cordons:

St George’s Hall

Looking along Lime Street towards St George’s Hall
Detail of St George’s Hall, by Harvey Lonsdale Elmes

Digging up history on Lime Street

They are digging up the streets of Liverpool city centre all over the place at the moment. This is very much the case on Lime Street where they seem to be widening the pavement at one point and presumably planning to lay a new road surface.

Lime Street is a key thoroughfare in the city’s history. It has undergone some ‘development’ in recent years most notably with the controversial demolition of the old Futurist Cinema which I photographed when efforts were being made to save it. I never posted those pictures at the time although I might do in the future. The Futurist dated back to 1912 and deserved to be preserved. Over the road is the art deco frontage of the former ABC Cinema which is in some sort of limbo but also deserves preservation. I have some interesting historic photographs of Lime Street in times gone by which I might post up at some point. But walking along Lime Street now you are coralled behind a large fence, beyond which a digger is removing the old setts which can be seen in part of the road.

The orignal road surface revealed

It is interesting to see what once constituted the road surface in Lime Street. The digger is scooping up the setts, noisily shaking them about to remove all the excess debris, and then piling them high at the side of the road.

Digging up the setts
Setts piled up

But the other thing this work seems to be exposing is some of the old tramlines on Lime Street. Disused for seventy years and probably unseen for almost as long the tramlines have been uncovered by the digging.

Some of the tramlinse
Further tramlines opposite the ABC Cinema

What will happen to the old tramlines? Presumably the old setts are going to be sold off or possibly reused somewhere by the Council. I don’t know what you do with old tramlines, but it is interesting to see them, and interesting to reflect on what lies below the surface of our streets.

Ghost sign, Berry Street, Liverpool

Ghost sign Berry Street

Driving through the maze of roadworks in Liverpool my eye caught this ‘ghost sign’ on the end of a building in Berry Street. It was revealed when the building next door was demolished last year. It’s an intriguing glimpse into the past.

It’s interesting because, although it is quite clear, it isn’t complete either and is not all that simple to date. Outdoor what? Prices? It’s hard to make out. Are these prices for single bottles of pints or half-pints or are they for bulk purchases? Certainly it is a brewery sign, but because the whole sign is not legible it is hard to tell what exactly is being offered. Over 2 shillings for a pint of beer seems very high for the 1960s, which really is the latest this could date from.

The fact that it mentions the beer (if it is beer) is ‘supplied in screw stoppered bottles’ suggests a much earlier date than the 1960s. Who in the 1960s made an advertising feature of ‘screw stoppered bottles’? In fact this detail suggests a much older date for the sign. Screw stoppered bottles were invented in 1872 by Henry Barrett and used for over 100 years. Made of ‘vulcanite’, or vulcanised rubber, they must have made the portability of beers and other liquids remarkably simple. Nicola White, who has made a lot of interesting videos about her mudlarking on the Thames, has found many examples of these type of bottle tops and has written a very interesting article about them here.

The surviving artwork makes the advertisement look quite old. The gold frame that surrounds the message suggests, to me at least, an early date, pre-First World War possibly. In this case the prices must be for bulk purchases. It is a pity the top of the advertiement is missing, but a fascinating piece of history nonetheless.

The view along the road

The picture is taken on the corner of Roscoe Lane. Peeping above what was once the pub/hotel which bears the sign is the top of Liverpool Cathedral. On the right you can see what was once Great George Street Chapel, you can read more about that building on this blog here.

Service from Hope Street, Liverpool, Sunday 19th July 2020

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This Sunday’s service was filmed on location in Liverpool. It is a praise service, intended also to show our appreciation of all those who contribute music to our services during the lockdown.  In the video we visit Liverpool’s Anglican Cathedral, the Roman Catholic Metropolitan Cathedral, the site of the Hope Street Unitarian Church – which are all located on Hope Street – and travel out to the Ancient Chapel of Toxteth, originally built in 1618.

The reading is Psalm 98 and is read by Rosemary Neill of Downpatrick. The organists are: Laura Patterson, Downpatrick; John Strain, Ballee; and Alfie McClelland, Clough.

The hymns sung are:

Onward Christian Soldiers (Mission Praise, 543)

Father Hear the Prayer we Offer (Hymns of Faith and Freedom, 299)

And can it be (Mission Praise, 33)

City of God, how broad and far (Hymns of Faith and Freedom, 299)

Breathe on me, breath of God (Hymns of Faith and Freedom, 177)

All the places visited in the video have been mentioned one way or another on this blog and the following links will give more information about them:

Sir Giles Gilbert Scott, designer of the Anglican Cathedral and iconic telephone kiosks

Liverpool Metropolitan Cathedral under Construction

Liverpool’s Metropolitan Cathedral

The Church on Hope Street

The Ancient Chapel of Toxteth

The 400th anniversary of the Ancient Chapel of Toxteth

Ancient Chapel: then and now

 

 

Also uploaded this week – Time for a Story: The Promise

The story of St Dunstan, 10th-century Abbot of Glastonbury (the ruins of which Abbey can be seen above), Archbishop of Canterbury and the person who devised the Coronation Service still used by British monarchs today. Filmed at Downpatrick with pictures from the British Museum and animation by InkLightning.
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Special Offer from Dunmurry – Rev Mac Floral Designs

A Celtic Way was printed in 2007, by Very Rev William McMillan. The 96 page hard back book contains a wide range of colour images of Rev Mac’s floral arrangements, garden and travels.

Dunmurry congregation have copies of this book to give away. If you would like one, please email: firstdunmurrynsp@gmail.com

Copies can be collected from The Manse, Dunmurry by prior arrangement. If you would like a copy posted, please request bank transfer details. P&P is £4 (UK only).

Paradise Street, Liverpool

I bought this black and white print of a view of Paradise Street dated 17 April 1973 for a small amount on eBay recently. I was interested in seeing it because Paradise Street as it was before the building of the Liverpool 1 shopping development has been so completely obliterated. It is today forgotten and it takes some effort to recall it to mind. Not that Paradise Street in the 1970s deserves to loom large in anyone’s memory, even at the time it had the feeling of something like a backlot to the city centre, a place where there was nothing much to see, a place that existed as an adjunct to the streets and places that mattered.

A lot of it was car parks and this picture clearly shows the new multi-story car park which was then just being completed in 1973. A brutal and functional building, it wasn’t very pleasant although it was handy enough. Its contemporary neighbour the Holiday Inn, seen on the left of the photograph, was little better to look at. But the multi-story wasn’t the only car park on Paradise Street. On the opposite side of the road, not visible in the picture, was a street-level car park complete with parking meters. I can’t be the only person straining to remember this entirely forgettable piece of streetscape because another photograph of Paradise Street featuring the corner of the street-level car park sold just after this one on eBay for about £5. But that car park must have been somewhere near the site of the Paradise Street chapel of 1791.

G2 - Paradise Street

Paradise Street, Chapel

I have written before about this chapel which had an unusual history and ended up as a music hall. To some extent it enshrined the fortunes of this city centre street – from a well to do residential neighbourhood with its fashionable chapel and the home of the first US consul, to a seedy street with a licentious and dangerous reputation. Later still it became a commercial area (and the old chapel a warehouse) and later still Nazi bombs in 1941 finished off what was left and prepared the ground for the 1970s car parks and cheap hotels.

Coinobverse02

Click on the above image to read about the history of Paradise Street Chapel/Royal Colosseum

So let’s compare then and now views of Paradise Street.

Paradise Street

Paradise Street April 1973

Paradise Street 2020

Paradise Street February 2020

The only buildings which remain are at opposite ends of the road. On the right in the 1973 picture is a red-brick building and the Eagle pub. The red-brick building is still there and is today a tapas bar, but you can’t take a picture from the same spot because there is so much furniture outside. Just visible next door is what was the Eagle pub, originally the US Consul’s house and which still carries an American eagle above the front door. Everything else has been redeveloped except for the post-war building at the far end of the street behind which the tower of the Municipal Buildings on Dale Street can still be seen. This was for many years Horne Brothers, the gentleman’s outfitters. In my youth I had to be a customer there because they had a monopoly on the provision of uniforms for my school. An at least annual visit there was inevitable. But I had another connection with Horne Brothers in that I was sent to the barbers shop in the basement to get my hair cut. This was done by Mr Cannon, one of the team of barbers who worked in the gloom of the basement. You had to make an appointment and my appointment was always with him. Unknown to me then it was Mr Cannon who first cut the hair of the Beatles. In volume one of Mark Lewisohn’s excellent book All These Years he tells how when Brian Epstein took over their management he sent them to Mr Cannon to get their first Beatles hair cut. Had I known anything of this back in the 1970s I would have asked him about it, but such things were of little general interest in the 70s. But although the building is still there Horne Bros has long gone, it was turned into a McDonalds years ago.

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Ancient Chapel: then and now

‘Then and now’ pictures can be interesting and informative. Standing outside the Ancient Chapel of Toxteth on 4 August 2019 I thought I would try and get a shot of the building from approximately the same position as the print that I have of the same view dating from about one hundred and fifteen years previously.

Ancient Chapel Tram 02

You can read about this photograph from between 1901 and 1904 and see some details from it here.

Ancient Chapel 2019

Whenever I take pictures of buildings I spend a lot of time trying to keep cars, buses, people, street furniture etc. out of shot. But, of course, for the historian it is the other details that often make the photograph useful and interesting. I picked this spot for the picture without referring to the old print and was half inclined to try and get a nice big Arriva bus coming up Park Road at the same time but there was a limit to how long I wanted to stand in the road! It’s a busy place and I suspect modern buses travel faster than old trams. So no buses in the picture but still a view that enables us to compare ‘then’ with ‘now’.

The picture at the top of the page is the wildflower meadow at St Agnes Field on the edge of Sefton Park.

 

Liverpool Tram, Brompton Avenue c.1900

Having written about the tram travelling up Park Road and past the Ancient Chapel recently (click here to view that post) I recently acquired this modern print of a photograph dating from about the same period of a tram taken on Croxteth Road.

For me it is very easy to identify this as being taken on Croxteth Road just at the junction with Brompton Avenue. Just out of shot on the right was Sefton Park Presbyterian Church, then still the church of John Watson, otherwise known as best selling author Ian Maclaren. This tram stop was, according to a number of accounts, identified by the conductor to passengers as “Dr Watson’s Church”. I have written about this Church before here.

Tram Brompton Avenue 03 crop 01

It must have been an important junction, the trams seem to have made relatively long stops there, they certainly appear on postcards of Sefton Park Church, the crew happily posing for the photographer, so they must have had reason to hang around.

spcdetail

Detail of a postcard view of Sefton Park Church, showing a tram waiting in the same spot

There are also clearly extra crew members included here in the photograph, with an inspector stepping on to the tram. Was this, perhaps, a place where crews changed over? On the top deck you can see the seats that could be pushed to face the other way when the tram got to the end of the line.

Tram Brompton Avenue 03 crop 03

And to the right of the tram stand an elegant Edwardian couple.

Tram Brompton Avenue 03 crop 04

 

The Ancient Chapel of Toxteth and an early electric tram

I was very pleased to pick up this picture on an ever-popular internet auction site. It was sold as a Victorian photograph, but I thought it possibly wasn’t quite that old and might, in any case, be a print that was made much later. However, I think it is a genuine old photograph, probably dating from the earliest years of the twentieth century. It is only a very small print, about two and a half inches by three and a half inches, but it is curiously interesting too.

It wasn’t very costly and I half expected it to command a much higher price appealing, as it does, to a number of different constituencies – those with an interest in old chapels, enthusiasts for Liverpool history, and aficionados of trams and transport.

Clearly it is a view looking towards the end of Park Road. There on the left is the Ancient Chapel of Toxteth, complete with ivy and a corporation road name plate. There are a few pedestrians wandering past: a lady in a long dress and another lady pushing a pram outside the chapel. On the right is tram car number 10A climbing the slight incline of Park Road, on its way to the Pier Head.

Ancient Chapel Tram 03

The size of the print would suggest a photograph taken after 1901 on a Box Brownie No.2, so probably not quite Victorian. The clothes worn by the ladies in the photograph would suggest a point at around that date. The driver of the tram is wearing a double-breasted overcoat with an oval badge on his chest and on his hat. The badge on his chest would be his licence and this particular style of wear apparently indicates the way the uniform of the driver (or motorman as he would have been called) was worn prior to 1904, or so I read on Ashley Birch’s very informative British Tramway Company Badges and Buttons site.

Ancient Chapel Tram crop 02

So we have a well composed photograph, probably dating to between 1901 and 1904, which I am sure is meant to contrast the old – in this case a place of worship dating back to 1618 – with the new, an electric tram, the most up to date and exciting form of public transport available.

Electric trams were introduced to Liverpool in 1898, so they would still be a relatively new phenomenon by 1904. A large dent on the front right-hand side of the tramcar points to this not being a brand new tram when this photo was taken but still it is a picture taken fairly close to the inauguration of the tram system in Liverpool. Another site (Ron’s Liverpool Tram Site) tells me that according to the number this was a Brill ‘Philadephia’ Car, built in America, and the picture does correspond with this type of vehicle.

Ancient Chapel Tram crop 01

The original tram depot was just around the corner from the chapel so this vehicle had only just begun its journey. The depot was built in 1898 and was a building that survived long after the tram system closed, I knew it well, or at least was aware of it but never gave its original purpose a second’s thought. The same would be true of the Smithdown Road depot opened in 1899 but still there until relatively recently. It’s curious how these buildings survived for such a long time before seeming to just melt away.

Another curious thing is how this corner of Toxteth became such a hub for transport. Once the most remote part of an ancient royal hunting park it became the site of an early seventeenth-century chapel for the convenience of the local farmers and was far away from the prying eyes of government or ecclesiastical hierarchy. The Chapel was situated really on the road to nowhere when it was built. Centuries later the Chapel found itself in between the first electric tram depot built on one side of it and the last station of the Liverpool Overhead Railway situated immediately opposite it on Park Road. The Dingle station of the Overhead Railway would have been just to the right of the tram in this picture. Impressively the Dingle Overhead Railway Station was built underground and is one of the few surviving features of that railway which closed the year before the trams were stopped in 1957. It is a significant junction which I have blogged about before:

Two views of a junction in Toxteth

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The view across the Chapel graveyard. The garage visible on the left was the site of the Dingle station of the Overhead Railway. The Dingle tram terminus was to the right of the picture.

It is curious too how trams were marked out as old-fashioned and unsustainable in the 1950s but came back into fashion in the twenty-first century. Today cities like Manchester, Edinburgh, Dublin and many more appreciate their value. Of course, most major European cities never took them away and have always had the benefit of these types of transit systems.

But it is easy to have a romanticised or sentimental view of this informative and attractive little photograph. It seems a long time ago as well. But when I was assistant minister of Cross Street Chapel in Manchester in the 1980s one of the oldest members was in his 90s. He had worked as a tram driver in Manchester before the First World War. He told me there was no covering above his head when he was driving and the rain would pour down his back in bad weather. In the end he was forced to give up due to ill-health and had a lifetime of difficulty with his back as a result. But maybe things were better in Liverpool, this driver certainly looks well enough protected at the front of his car.

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Thomas Steers and the Blue Coat School

Blue Coat front 02

Front view of the original school building of 1717

I was interested to discover through the tercentenary history exhibition in the Bluecoat Arts Centre in Liverpool that Thomas Steers is now credited as one of those responsible for the construction of this very fine building. There can be little of importance in the city in the early eighteenth century that Thomas Steers didn’t have a hand in. The school (correctly termed the Blue Coat School) was founded in 1708 but the building not completed on School Lane until 1717. For nearly two hundred years the building was the home of the school until it moved to new premises in Wavertree. In the decades after 1906 the Bluecoat became the location for an innovative arts centre in the oldest building in the city. Thomas Steers’s involvement in the building appears to have only recently come to light. The exhibition in the Bluecoat states that:

Recent research confirms that Liverpool’s dock engineer Thomas Steers, together with mason Thomas Litherland, were responsible for the construction of the building. Both received considerable payments, recorded in the school’s meticulous accounts books by Bryan Blundell, the master mariner who founded the Blue Coat School and was its first treasurer.

[A page of the accounts] from 1719, records fees to Steers and Litherland, who had previously worked together on Old Dock nearby (completed 1715), the world’s first commercial wet dock which was instrumental in Liverpool’s rapid growth as a global trading port.

Blue Coat front pediment

Liver Bird above main entrance

The Old Dock has now been excavated and is open to visitors. It’s fascinating to see the brickwork exposed to view after years lying hidden beneath the surface, but here was laid the maritime prosperity of Liverpool, thanks to the engineering skills and technical vision of Thomas Steers.

Old Dock Liverpool 2016 02

Inside the Old Dock, picture taken in 2016

Thomas Steers was a notable public servant of the city, serving as water bailiff, town councillor and mayor, and designed other docks as well as private and public buildings and local canals. His reputation also brought him to Ireland where he worked as a consultant on the Newry Canal, spending a number of years working on the project. It wasn’t his first visit to Ireland since he is said to have been commissioned in the 4th regiment of foot and served at the battle of the Boyne in 1690.

The Bluecoat building was badly damaged during the blitz of 1941 but was saved and has been restored a number of times over the last century. The Latin inscription across the front of the façade has been removed and restored at different times. It reads:

CHRISTIANAE CHARITATI PROMOVENDAE INOPIQUE PUERITIAE ECCLESIAE ANGLICANAE PRINCIPIIS IMBUENDAE SACRUM. ANNO SALUTIS MDCCXVII

which is translated on the Bluecoat website as: ‘Dedicated to the promotion of Christian charity and the training of poor boys in the principles of the Anglican church. Founded in the year of salvation 1717.’

Blue Coat front centre 02

Part of the inscription can be seen below the clock

This is an interesting text because based on little more than this assertion, almost three hundred years after the school was founded, the Church of England attempted to gain control of the school. Since it was always open to anyone and was completely free of any sectarian basis most people thought the twenty-first century C of E was going a bit far and the Bishops seem quietly to have withdrawn from the fray. At the time this controversy was underway I wrote to the Liverpool Echo pointing out that a local dissenting minister, the Rev John Brekell, preached a charity sermon in 1769 and told his hearers that no less a person than Bryan Blundell himself had told him that this inscription had been had been forced on him against his will by “some zealous Churchmen”. There is no doubt that the school enjoyed financial support from the wealthy Presbyterian community and in turn did not restrict its benefits to members of the established church. Neither as a charity school in its first centuries nor as a state school in the twentieth century had it displayed the characteristics of a ‘church school’. William Roscoe, poet, historian, abolitionist and dissenter refers to the school in his poem ‘Mount Pleasant’, first published in 1777. ‘The Blue-Coat Hospital’ is:

Yon calm retreat, where screen’d from every ill,

The helpless orphan’s throbbing heart lies still;

And finds delighted, in the peaceful dome,

A better parent, and a happier home.

The exhibition in the Bluecoat includes a lithograph of the picture Recollections of the Blue-Coat Hospital, Liverpool, St George’s Day, 1843 by Henry Travis. The original used to hang in the school boardroom when I was there, and most probably still does. Most pupils would rarely have seen it but when I was at the school I had regularly to attend in the boardroom for clarinet lessons. Not being much of a musician I frequently found the painting with its crowds and banners and marching pupils rather more absorbing.

Travis, Henry; Recollections of Liverpool Blue Coat Hospital, St George's Day

‘Recollections of the Blue-Coat Hospital, Liverpool, St George’s Day, 1843’ by Henry Travis (Picture: Liverpool Blue Coat School)