Postcards by A.D. Coon

In this post we are looking at some more examples of the work of Allen Daniel Coon. The total output of postcards he produced between 1902 and his death in 1938 must have been enormous and they covered a very wide geographical area. I hadn’t noticed that one card I picked up a few years ago was by him:

Old Cemetery, Ballycarry, 1929

This was produced for John McKee News Agent and Confectioner, Ballycarry, and is interesting because he has labelled different features of the graveyard, although you can only see the tip of the spire of St John’s Parish Church and can’t see the ruins of the old church at all as they are obscured by trees.

This is what the ruins look like today:

Ruins of Templecorran Church, Ballycarry

You can read about our recent visit to this graveyard here.

Allen Coon produced a lot of postcards for this part of County Antrim in the later 1920s, in this case giving his location as Moira, NI. Five years earlier his postcards produced for Mrs Johnston, Draper & Boot Merchant, Hillsborough still give his location as Letterkenny:

Town Hall and Court House, Hillsborough, 1924

Interior of Parish Church, Hillsborough, 1924

The cards produced in Antrim in 1927 stand out from the others having a large border and a glossy finish. This time they are published for Mrs Simpson, Newsagent and Stationer, Antrim, who must have wanted something different in terms of design. By this time he is well settled in Moira:

First Antrim Presbyterian Church, 1927

Motor Boats on Lough Neagh at Antrim, 1927

Presumably the motor boats were used as pleasure craft taking people on tours of the Lough.

In Whiteabbey in 1929 he produced about 18 postcards for H. Quiery, Newsagent & Tobacconist. He must have exhausted all the possible views of the surroundings.

Whiteabbey Dam and Mill, 1929
Whiteabbey Memorial Hall, 1929

A lot of Allen Coon’s pictures are straightforward architectural treatments of churches or halls. But this one is slightly different in that a passer-by boldly walks into shot in front of the Whiteabbey Memorial Hall (opened just two years earlier in 1927). Was this pre-arranged to add a bit of extra detail? Or did the lady accidently cross into the frame while he was standing there with his camera? If this was an unforeseen intrusion into his picture he must have liked the look of the finished article since he could easily have taken another one. But there she remains for posterity, out on her messages, captured on film.

Allen Daniel Coon (1867 – 1938), Pioneering Photographer and Cinematographer

In this video we take a look at the career of Allen Daniel Coon, one of the pioneers of photography and cinematography in Ulster. The video tells something of his story, with many examples of his postcards, and tracks down his last resting place.

Video: Allen Daniel Coon (1867 -1938) Photographer and Cinematographer

The previous post on this blog is all about Allen Coon’s postcards produced for W.J. Ross of Finaghy Stores in 1927, but these are just a small sample of his vast output produced between his arrival in Ireland in 1902 and his death in 1938.

Allen Daniel Coon was born in Buffalo, New York in 1867. The son of a Baptist pastor and, tradition has it, a native American mother, his career followed a fairly conventional path in its early years. He read law at university and then established himself as an attorney in Buffalo. But at some point he tired of this life and took the road to prospect for gold first in California and then in Alaska. One assumes this was not entirely successful because at some point he took up photography. He was a friend of George Eastman, the founder of Kodak, and may have been related to him. Either way he travelled to England with him in 1900 moving to Ireland a couple of years later to set up his own photography business.

This was right at the beginning of the boom in the sale of postcards. In 1902 you could send a picture postcard for a halfpenny and expect it to be at a local destination at lunchtime. For skilled photographers the opportunities were obvious and operating initially from Londonderry, later from Letterkenny and ultimately from Moira (each place was printed as his location on the front of his postcards) he produced hundreds of postcards of impressive views, street scenes, local landmarks, prominent buildings and sometimes interesting people.

Clough Castle (no publisher listed on the back)

It is recorded that he charged local traders less than £5 for 2,000 postcards, which also included their name on the back of the card. From about 1924 he started numbering the cards starting with the last two digits of the year they were produced which is very helpful in dating the cards.

In the Census of 1911 he was recorded as living with his wife of three years, Clara, at Church Wall, Londonderry where he recorded his profession as Photographer and Theatrical Showman. Also recorded were their two eldest children (Gladys and Gaynor) and the fact that while his wife was a Presbyterian he declared himself to be an agnostic.

Moira Market House, published by Job Palmer, General Trader, whose shop can be seen on the right

The Theatrical Showman side of his profession was not an idle boast. Although his income from postcard sales must have been steady he was also perpetually ‘on tour’ travelling all over the north of Ireland with his camera and darkroom, setting up in towns as he went to film moving pictures and then show them to a fascinated populace along with films of Charlie Chaplin and other entertainers. In fact he also seems to have had an interest in some of the earliest cinemas established in county Donegal and in Belfast but his commitment to travelling from town to town with his films never waned right up to his death.

Moneymore, First Presbyterian Church (‘Published by Coon for Devlin, General Merchant, Moneymore’)

After partition he moved from Letterkenny to Moira and was ultimately buried there in the Non-Subscribing Presbyterian Church graveyard after his sudden death while on tour in Sligo. It is clear that his family had a close association with the Church, other family members are buried in the churchyard, but in the 1940s when the Non-Subscribing Presbyterian denomination launched a tercentenary appeal for the Sustentation Fund (1642 – 1942), Allen Coon’s wife Clara and his daughter Sylvia were amongst the members of the little congregation at Moira who gave their support. Indeed Miss Sylvia Coon was also one of the two local appeal officials for Moira.

Donations from Moira to the NSPCI Tercentenary Sustentation Fund Appeal, including Clara and Sylvia