Posted on by David Steers

The world is charged with the grandeur of God

Hawarden, North Wales

The world is charged with the grandeur of God.

    It will flame out, like shining from shook foil

These opening lines from God’s Grandeur by Gerard Manley Hopkins supply us with the opening words and the theme of this week’s online service. Filmed at various locations in England, Wales and Northern Ireland places visited include the Hawarden estate, Flintshire, North Wales; the sand dunes at Formby near Liverpool; the Derbyshire Peak district; the River Thames (Isis) at Oxford; Norton Priory, Cheshire; Sefton Park, Liverpool; Rathmullan, county Down; and Dunmurry, county Antrim. As we look at these varied landscapes we explore the meaning of this idea of the divine presence in the natural world alongside readings from Gerard Manley Hopkins, Thomas Merton and Ernesto Cardenal.

Sefton Park – the heron flies over the lake

The world is charged with the grandeur of God – click on the video above to see the meditation and reflections

In the service Graham Murphy reads two poems by Gerard Manley Hopkins – Binsey Poplars and Pied Beauty, both recorded at Gladstone’s Library, Hawarden, Flintshire. In addition Robert Neill and Emma McCrudden read extracts from the works of Thomas Merton and Ernesto Cardenal.

Binsey, near Oxford

Music played includes:

For the beauty of the earth, played by Allen Yarr, organist of First Presbyterian (NS) Church, Dunmurry.

Come let us sing of a wonderful love, played by John Strain, organist of Ballee Non-Subscribing Presbyterian Church.

O love that wilt not let me go, played by John Strain.

Let saints on earth in concert sing, played by Allen Yarr.

Norton Priory, Cheshire, walled garden
Formby, sand dunes
The River Thames at Oxford

Let me seek, then, the gift of silence, and poverty, and solitude, where everything I touch is turned into a prayer: where the sky is my prayer, the birds are my prayer, the wind in the trees is my prayer, for God is all in all. – Thomas Merton

Posted on by David Steers

Faith and Freedom 2019 Calendar

The Faith and Freedom Calendar for 2019 is now winging its way to all individual subscribers around the world. Additional copies can be had for a suggested donation of £5 (all of which goes to the Send a Child to Hucklow Fund). Email Nigel Clarke at faithandfreedom@btinternet.com if you would like to order one.

The Calendar is full of fantastic images celebrating the world of faith and the natural world, each month carrying a large illustration from around the world including Derbyshire Peak District, Northern Ireland (Armagh and Down), Malta (St John’s Co-Cathedral Valletta), Transylvania (Torockó and Bölön), and Macedonia (Lake Ohrid) as well as Graham Bonham’s brilliantly detailed pictures of plants and birds.

There is a scan of the cover at the top of this page, and of the back cover at the bottom and here are some of Graham’s images:

Flower Graham Bonham

March
Gerbera is a member of the daisy family and was named after Dr Trugott Gerber, an eighteenth-century German botanist and friend of Carl Linnaeus. The plant is native to the tropics and is commonly known as the African daisy. A perennial, it is attractive to insects and birds but resistant to deer. The picture was constructed by combining multiple images focused at different points into a single composite image.

 

blackbird

April
The common blackbird is a species of true thrush. RS Thomas’ poem ‘A Blackbird Singing’ cites “a suggestion of dark Places about it.” However it is not normally seen as a symbol of bad luck. In medieval times the trick of placing live birds under a pie crust just before serving may have been the origin of the nursery rhyme. A blackbird also featured on the UK 4d stamp in 1966.

 

Seeds Graham Bonham

September
The image of the dandelion seed head can be interpreted in many ways, explains Graham Bonham who created the focus-stacked composite image. “It could symbolize transience – the temporariness of existence: there one moment and blown away the next. Alternatively, it could represent fecundity – one bloom produces hundreds of potential new lives – or be about underappreciated beauty: even pesky ‘weeds’, which many people use ‘chemical weapons’ against (to the detriment of the environment), have beautiful aspects.”

 

Cover scan back 2019