Dunmurry Harvest 2025

Quoile Area WI Choir at Dunmurry
Click on the video above to see Dunmurry Harvest Thanksgiving Service as recorded live

We held a wonderful service of Harvest Thanksgiving at Dunmurry on Sunday, 19th October 2025. We were particularly pleased to welcome the Quoile Area WI Choir conducted by Judith Harper with their accompanist Kathleen Gill. They sang three pieces – This Day, All things bright and beautiful(a setting by Philip Stopford), River Song, plus the vesper Go Now in Peace (arranged by I.E. Keenan), while Allen Yarr, our organist, played for the hymns and Jack Steers played Trumpet Voluntary during the collection.

The service was led by members of the Sunday School and Youth Group with Harry opening the service with words of welcome, readings being given by Jenna, Lochlan, Erin, and Bryn, and Adele and Sue, leading us in prayer. The church was beautifully decorated throughout and the Youth Group made the frieze depicting scenes from the hymn We plough the fields and scatter (which we also sang) which adorned the rail above the pulpit.

Following the service we had refreshments and a time of fellowship in the Hall, with many people coming back for that.

On the following Monday members of the congregation distributed the all the produce which had been donated to  L’Arche Village, Belfast.

Allen Daniel Coon (1867 – 1938), Pioneering Photographer and Cinematographer

In this video we take a look at the career of Allen Daniel Coon, one of the pioneers of photography and cinematography in Ulster. The video tells something of his story, with many examples of his postcards, and tracks down his last resting place.

Video: Allen Daniel Coon (1867 -1938) Photographer and Cinematographer

The previous post on this blog is all about Allen Coon’s postcards produced for W.J. Ross of Finaghy Stores in 1927, but these are just a small sample of his vast output produced between his arrival in Ireland in 1902 and his death in 1938.

Allen Daniel Coon was born in Buffalo, New York in 1867. The son of a Baptist pastor and, tradition has it, a native American mother, his career followed a fairly conventional path in its early years. He read law at university and then established himself as an attorney in Buffalo. But at some point he tired of this life and took the road to prospect for gold first in California and then in Alaska. One assumes this was not entirely successful because at some point he took up photography. He was a friend of George Eastman, the founder of Kodak, and may have been related to him. Either way he travelled to England with him in 1900 moving to Ireland a couple of years later to set up his own photography business.

This was right at the beginning of the boom in the sale of postcards. In 1902 you could send a picture postcard for a halfpenny and expect it to be at a local destination at lunchtime. For skilled photographers the opportunities were obvious and operating initially from Londonderry, later from Letterkenny and ultimately from Moira (each place was printed as his location on the front of his postcards) he produced hundreds of postcards of impressive views, street scenes, local landmarks, prominent buildings and sometimes interesting people.

Clough Castle (no publisher listed on the back)

It is recorded that he charged local traders less than £5 for 2,000 postcards, which also included their name on the back of the card. From about 1924 he started numbering the cards starting with the last two digits of the year they were produced which is very helpful in dating the cards.

In the Census of 1911 he was recorded as living with his wife of three years, Clara, at Church Wall, Londonderry where he recorded his profession as Photographer and Theatrical Showman. Also recorded were their two eldest children (Gladys and Gaynor) and the fact that while his wife was a Presbyterian he declared himself to be an agnostic.

Moira Market House, published by Job Palmer, General Trader, whose shop can be seen on the right

The Theatrical Showman side of his profession was not an idle boast. Although his income from postcard sales must have been steady he was also perpetually ‘on tour’ travelling all over the north of Ireland with his camera and darkroom, setting up in towns as he went to film moving pictures and then show them to a fascinated populace along with films of Charlie Chaplin and other entertainers. In fact he also seems to have had an interest in some of the earliest cinemas established in county Donegal and in Belfast but his commitment to travelling from town to town with his films never waned right up to his death.

Moneymore, First Presbyterian Church (‘Published by Coon for Devlin, General Merchant, Moneymore’)

After partition he moved from Letterkenny to Moira and was ultimately buried there in the Non-Subscribing Presbyterian Church graveyard after his sudden death while on tour in Sligo. It is clear that his family had a close association with the Church, other family members are buried in the churchyard, but in the 1940s when the Non-Subscribing Presbyterian denomination launched a tercentenary appeal for the Sustentation Fund (1642 – 1942), Allen Coon’s wife Clara and his daughter Sylvia were amongst the members of the little congregation at Moira who gave their support. Indeed Miss Sylvia Coon was also one of the two local appeal officials for Moira.

Donations from Moira to the NSPCI Tercentenary Sustentation Fund Appeal, including Clara and Sylvia

Alexander Gordon (1841 – 1931)

Historian, Biographer, Minister of First Church, Belfast. ‘An Englishman by birth, a Scotsman by education and an Irishman by inclination’.

On Thursday, 22nd May, 2025, we had an illustrated talk in First Dunmurry (NS) Presbyterian Church about the great historian Alexander Gordon.

Talk at Dunmurry by Rev Dr David Steers

A distinguished minister in England and Ireland, he served at Aberdeen; Hope Street, Liverpool; Norwich and at First Church, Belfast, before becoming Principal of the Unitarian Home Missionary College, Manchester and a lecturer in Ecclesiastical History in the first Free Faculty of Theology in the British Isles.

The earliest known photograph of Alexander Gordon, taken in Liverpool c.1872 at the time of his marriage to Clara Maria Boult

His scholarship was widely acknowledged all over the world, contributing 778 entries to the Dictionary of National Biography, 39 articles to the eleventh edition of the Encyclopaedia Britannica and much more. A superb linguist and experienced traveller his researches took him all over Europe. Among other things he was closely involved in the creation of the Non-Subscribing Presbyterian Church of Ireland in 1910.

Gordon’s distinctive signature in a personal copy of his Bible (Revised Version)

The talk looks at his education, his work as a biographer and historian, and his commitment to the churches in Ireland which he served as secretary to the Association of Irish Non-Subscribing Presbyterians and later being closely involved in the setting up of the Non-Subscribing Presbyterian Church of Ireland itself.

He was a distinguished minister at First Church but even after leaving for Manchester kept a very close connection with the Irish churches, particularly through Dunmurry where he was regarded as the unpaid curate of his friend the Rev J.A. Kelly, despite the incredible heavy work load of his high profile work. From 1895 until the year of his death in 1931 he only missed one communion service at Dunmurry – and that was because of an unexpected train timetable change that left him stranded in Dublin one weekend during the First World War. For a very experienced traveller, particularly rail traveller, this must have been especially galling for Gordon. The lecture also looks at Alexander Gordon as a travel writer.

The last photograph of Alexander Gordon taken at Dunmurry on 18th January 1931

It examines too his family background, which was frequently touched by tragedy. But he inspired great loyalty and affection in the generations of students he trained for the ministry.

Principal of the Unitarian Home Missionary College, Manchester

He was buried in Dunmurry, just a short time after he conducted his final service there on 18th January 1931.

‘Let divine worship be observed, by all who would aspire after the happiness of heaven’. 19th-century Non-Subscribing Presbyterian Hymnbooks

The title of this post comes from the Preface to A Collection of Psalms, Hymns and Spiritual Songs written by the Rev A.G. Malcolm for his hymnbook published in Newry in 1811.

Click on the video to explore Irish Non-Subscribing Presbyterian hymnbooks

Prior to about 1800 Non-Subscribing or New Light Presbyterian churches, in common with other Presbyterians, would have worshipped with a Psalter or Psalm book. The first distinctly Non-Subscribing hymnbook appeared in First Church in 1801. What is surprising about this publication is that in the same year Edward Bunting offered to supply an organ to the church. This offer wasn’t taken up although in just a few years the Second Congregation were to become the first church with an organ, First Church not acquiring one until 1853. The Rev William Bruce edited this collection and 1,200 copies were published. A choir seems to have led the singing which initially contained boys but was later expanded to include adults.

First Church’s Collection of 1801

William Bruce’s book contained 246 hymns, with an index of first lines and a brief one page table of subjects. The next hymnbook, the Newry edition of A.G. Malcolm, contained 405 hymns with a more substantial table of subjects running over eight pages. Plus it had an index of first lines with the names of authors (for example Barbauld, Watts, Doddridge, Kippis, Merrick, Wesley, Addison, Enfield) which showed the eclectic sources the book drew on from within Dissenting circles and beyond.

An interesting preface also explained their intentions:

…care has been taken, to select psalms and hymns, which treat of of the leading points both of faith and practice; and it is hoped, that the compilation will be found to contain a sufficient variety of the best compositions, in sacred poetry, adapted to all the principal subjects of Christian devotion.

A.G. Malcolm went on:

Correctness, both in sentiment and style, has also been made an object of considerable attention. Hence, many verses have been altered; and such psalms and hymns as seemed, in any degree, unsuitable to the simplicity and solemnity of divine worship have been omitted.

As the work is intended for general use, and must be expected to fall into the hands of persons, who unavaoidably differ from one another, in their opinions, on religious subjects, all expressions, which appeared likely to give offence to any sincere Christian, have been studiously avoided.

Interestingly the next hymnbook, dated Belfast, July 1818 and edited by Rev W.D.H. McEwen, made a similar point in a slightly more forceful way in its Preface:

Some doctrines are so offensive to the societies, for whose use this compilation is principally intended, that they are carefully avoided. As to others, the same scrupulosity is not observed; for, with respect to them, there may exist a diversity of sentiment. This selection may, therefore, be thought defective, but it will not disgust by a pertinacious obtrusion of doctrine.

So certain doctrines weren’t allowed to get in the way! Some were left out all together – the Trinity, the theory of the atonement based on penal substitution – and on some doctrines Non-Subscribers were able to agree to differ.

W.D.H. McEwen,s hymnbook

The book was published for the Presbytery of Antrim and the congregation of Strand Street, Dublin but it came from the minister of the Second Congregation. Curiously they had installed an organ in 1806 and had Edward Bunting as their organist from then until 1817. So they don’t appear to have had a hymnbook of their own for the first dozen years after installing the organ.

Following the establishment of the Remonstrant Synod of Ulster in 1830 Non-Subscribers moved towards the development of a hymnbook for all churches. This is Psalms, Paraphrases, and Hymns, for Christian Worship published in Belfast in 1841:

Psalms, Paraphrases, and Hymns, for Christian Worship 1841

This is the first edition of what became Hymns for Christian Worship, a book which went into at least four further editions before the end of the century and was followed by a supplement in 1899. Throughout this time this was the main series of hymnbooks in use in the churches in Ireland. More detail can be seen in the video above.

The Antrim Meeting of 1626 and Rowel Friers

A recent post looked at the two wonderful Rowel Friers cartoons which hang on the wall of the Library in Dunmurry, as well as the video which explains the story about them. As the post explains these pictures were commissioned by the Rev William McMillan for his impressive Exhibition illustrating the history of the Presbytery of Antrim held in January 1976.

It must have been an attractive display in the McCleery Hall, the Rev Mac sourced portraits, books, communion plate, swords and pikes from the ’98 Rebellion, sculptures by Rosamond Praegar, commmunion tokens, copper collecting pans and all sorts of material from all over Northern Ireland. There was even a mould for making eighteenth-century communion tokens from Ballycarry and – something I had not previously heard of – an eighteenth-century family token box, described as ‘a wooden box holding a small leadbox in which the token was taken to the meeting house.’

One feature of the Exhibition for the 250th anniversary of the Presbytery of Antrim is that there were in fact three, not two, Rowel Friers cartoons included. Unfortunately one of these has been missing for fifty years. However, we have now discovered a photograph of the lost picture and this features in our latest video:

Click on the video to see the video about the 1626 Antrim Meeting

The Exhibition was held in January 1976 and covered both the creation of the Presbytery of Antrim in 1725 and its separation from the Synod of Ulster. It was also intended to cover the anniversary of the creation in 1626 of the original Antrim Meeting. The Exhibition must have been fascinating but unfortunately in that pre-digital age there were very few photographs taken. There is only one that shows the Exhibition in the Non-Subscribing Presbyterian magazine at the time:

Betty Kelly at the Exhibition in the McCleery Hall in 1976

There were a large number of dignitaries invited to the dinner that followed the Exhibition, representatives of all denominations, figures in public life, historians and international figures. Many of the speeches are recorded in the Non-Subscribing Presbyterian magazine and the Rev John Radcliffe, clerk of the Synod, made reference to the third Rowel Friers cartoon:

‘There are two extreme forms of the expression of religious sentiment. There is one that is very well expressed in the person here described: “His mind and voice had precisely the fluid quality of some clear, subtle liquid: one felt it could flow around anything and overcome nothing.” That is the extreme of presenting the Christian faith in such delightfully attractive style, with such a fluency of language, with such a vividness of imagery, that it will flow around anything and overcome nothing. At the other extreme there is another sort of Christianity, corybantic Christianity. There is a cartoon on the wall there, a drawing of four rather austere clerics, and the date is 1626. Outside you see somebody rousing a rabble – not unheard of in these days. The four rather serious looking clerics are trying to bring a bit of reason into it all; and the man outside is an exponent of corybantic Christianity, the Christianity that is the direct oppposite of that I have been describing tonight – and appeals all the time to the emotions in which people get carried away, and leads in the end to a very dangerous, in fact terrible, fanaticism – the very negation of the Christian spirit.’

Detail from the photograph

It is a fascinating footnote to our previous post and video about our Rowel Friers cartoons, another part of the story that takes us back even further in time, in this case to 1626.

Rowel Friers

Belfast-born Rowel Friers (1920-1998) was perhaps the most famous cartoonist in Ulster, especially for his work during the ‘Troubles’. He began his working life in the art department of the Belfast printing firm of S. C. Allen and Co and studied at the Belfast College of Art. A keen watercolourist and oil painter he nevertheless was best known for his cartoons, which gently but effectively satirised the political situation in Northern Ireland. Our latest video looks at two cartoons by Rowel Friers, although they illustrate his versatility as a cartoonist and relate to life in the eighteenth century.

We have two fine examples of his work hanging on the walls of the Very Rev William McMillan Library in the First Presbyterian Church, Dunmurry. They were commissioned by the Rev William McMillan for an exhibition celebrating the 250th anniversary of the Presbytery of Antrim in 1975.

They are both immediately recognisable as his work. The faces of the figures convey exactly what is going on. One (above) is an imagined gathering of clergy around a blacksmith and relates to the practice of communion and the use of communion tokens. The other (below) relates to a specific incident in the history of the Comber congregation at the time of creation of the Presbytery of Antrim at the end of the First Subscription controversy when all the Non-Subscribers were separated from the Synod of Ulster and placed together in the Presbytery of Antrim.

It is good to give them special consideration now, as we prepare for the 300th anniversary of the creation of the Presbytery of Antrim. The full story of both pictures can be seen in the short video above.

Antitrinitarianism and Unitarianism in the Early Modern World

I was very pleased to be asked to contribute to this book which has just been published by Palgrave Macmillan:

Antitrinitarianism and Unitarianism in the Early Modern World

The publishers describe the volume in these terms:

This collection offers an innovative and fresh interpretation of Antitrinitarian and rational dissent in the early modern world. The central themes focus on the fierce debates surrounding Antitrinitarianism and Unitarianism that emerged from the Reformation and the lived cultures of these dissenting movements. The chapters take an interdisciplinary approach addressing ideas in context, their reception and appropriation, and the diverse and often conflicting visions of Christianity. Drawing on previously unused sources, many from Eastern Europe and often in inaccessible languages, this book challenges our understanding of dissent as marginal and eccentric and places it at the center of contesting convictions about the nature of religious reform.

The contents are as follows:

Introduction

The Porous Boundaries of Dissent

Bruce Gordon

Antitrinitarianism and Its Influence in Italy and Poland

Italian Antitrinitarianism and the Legitimacy of Dissent

Odile Panetta

Scripture, Piety, and Christian Community in the Thought of the Polish Brethren

Sarah Mortimer

Religiosity in the Ethos of Polish Brethren in Light of Funeral and Wedding Speeches from the Seventeenth Century

Maria Barłowska

True Heirs of Jan Łaski: Polish Brethren Church Discipline in the Polish-Lithuanian Commonwealth and During Their Exile in Transylvania

Kazimierz Bem

Transylvanian Unitarianism

The Late Confessionalization of the Transylvanian Unitarian Church and the Polish Brethren

Gizella Keserű

Introduction to the Transylvanian Unitarian Disciplina Ecclesiastica

Lehel Molnár

De Disciplina Ecclesiastica: On Ecclesiastical Discipline (1626)

Alexander Batson

The Term, Development, Purpose, and Practice of Church or Canonical Visitation: Unitarians in Háromszék in the Seventeenth Century Between Conventional Rhetoric and Reality

Lehel Molnár

Some Aspects of the Hungarian Unitarian Liturgy in the Sixteenth to Eighteenth Centuries

Sándor Kovács

Engagement and Divorce Cases Before the Unitarian Consistory in Seventeenth-Century Transylvania. Frameworks in Church Law and the Doctrine of Marriage

David Szigeti Molnar

England, Ireland, and New England

The Historical Critique of Heresiology in the Seventeenth Century and the Origins of John Milton’s Arianism

R. Bradley Holden, Samuel J. Loncar

Authority, Reason, and Anti-trinitarianism: John Abernethy and the Competing Pressures Within Irish Presbyterianism in the Early Eighteenth Century

A. D. G. Steers

The 1662 Book of Common Prayer and Its Adaptation in Eighteenth-Century Rational Dissent

Bryan Spinks

New England Congregationalists and Unitarianism in Late Eighteenth Century/Early Nineteenth Century

Peter Field

The editors are:

Kazimierz Bem, Pastor of First Church in Marlborough (UCC), USA and a senior lecturer in Church History at the Evangelical School of Theology in Wrocław, Poland.

Bruce Gordon, Titus Street Professor of Ecclesiastical History at Yale Divinity School, USA.

  Hardcover ISBN978-3-031-69657-2

  Softcover ISBN978-3-031-69660-2

  eBook ISBN978-3-031-69658-9

You can find out more about this book via this link.

Carols by Candlelight at Dunmurry

Despite the presence of Storm Darragh on Friday, 6th December we still were able to hold our well-attended service of Carols by Candlelight featuring Harmonic Sounds Concert Band under the direction of Paul Hamilton. It was a great evening and the whole service was livestreamed. You can watch the service here:

Click on the video

The service was conducted by the minister, Rev Dr David Steers, and our readers came from our own Church and our sister churches. They were David Kerr (First Church, Belfast), Kathy Yuille, Sylvia McBride, Adele Johnston, Diana Taggart, Erin Black, Rev Chris Hudson (All Souls’ Church, Belfast), Gilbert Cameron, Rev Chris Carson (Church of Ireland).

Band about to play

The Church was beatifully decorated both outside and in.

And many of those present were able to come over to the Hall for refreshments after the service.

Malone Integrated College Choir at First Dunmurry

We were delighted to welcome the Choir of Malone College to our Warm Space Coffee Morning at Dunmurry on Thursday morning, 5th December under the direction of their musical director, Mrs Caroline Mitchell.

Click on the video to see Malone College Choir performing at First Dunmurry

The Choir sang a varied programme and were with us for two hours. The video above contains some of their repertoire. We are so glad that Mrs Mitchell, her staff and the Choir are able to take the time out to visit us at the start of the Christmas season, its an occasion that everyone looks forward to and fills us all with a strong sense of the Christmas spirit.

Malone Integrated College Choir at First Dunmurry (NS) Presbyterian Church

The published works of John Abernethy

Episode 6 of our explorations of the Very Rev William McMillan Library at Dunmurry looks at the writings of the Rev John Abernethy (1680-1740). Without doubt the most prominent Presbyterian minister in Ireland in the early eighteenth century and the foremost exponent of Non-Subscription, he was minister at Antrim (see picture above) and later Wood Street, Dublin.

Click on the video to see John Abernethy’s books

Some of his books were the best sellers of their day and some of his publications were seen as either controversial theological statements or the key to opening up a new way to understand faith, depending on your point of view. Ironically at the time of the first subscription controversy the minister of Dunmurry, the Rev John Malcome, was a vocal opponent of the Non-Subscribers and was the first to use the term ‘New-Light’ about them. But Dunmurry Library has a good selection of his published works, most of them published after Abernethy’s death.

The founder of the Belfast Society in 1705, an outspoken advocate of the rights of the dissenting minority in Ireland and an established philosopher of some importance, John Abernethy’s books had considerable influence and this video looks at his publications held by our Library in Dunmurry.