A recent post looked at the two wonderful Rowel Friers cartoons which hang on the wall of the Library in Dunmurry, as well as the video which explains the story about them. As the post explains these pictures were commissioned by the Rev William McMillan for his impressive Exhibition illustrating the history of the Presbytery of Antrim held in January 1976.

It must have been an attractive display in the McCleery Hall, the Rev Mac sourced portraits, books, communion plate, swords and pikes from the ’98 Rebellion, sculptures by Rosamond Praegar, commmunion tokens, copper collecting pans and all sorts of material from all over Northern Ireland. There was even a mould for making eighteenth-century communion tokens from Ballycarry and – something I had not previously heard of – an eighteenth-century family token box, described as ‘a wooden box holding a small leadbox in which the token was taken to the meeting house.’

One feature of the Exhibition for the 250th anniversary of the Presbytery of Antrim is that there were in fact three, not two, Rowel Friers cartoons included. Unfortunately one of these has been missing for fifty years. However, we have now discovered a photograph of the lost picture and this features in our latest video:

The Exhibition was held in January 1976 and covered both the creation of the Presbytery of Antrim in 1725 and its separation from the Synod of Ulster. It was also intended to cover the anniversary of the creation in 1626 of the original Antrim Meeting. The Exhibition must have been fascinating but unfortunately in that pre-digital age there were very few photographs taken. There is only one that shows the Exhibition in the Non-Subscribing Presbyterian magazine at the time:

There were a large number of dignitaries invited to the dinner that followed the Exhibition, representatives of all denominations, figures in public life, historians and international figures. Many of the speeches are recorded in the Non-Subscribing Presbyterian magazine and the Rev John Radcliffe, clerk of the Synod, made reference to the third Rowel Friers cartoon:

‘There are two extreme forms of the expression of religious sentiment. There is one that is very well expressed in the person here described: “His mind and voice had precisely the fluid quality of some clear, subtle liquid: one felt it could flow around anything and overcome nothing.” That is the extreme of presenting the Christian faith in such delightfully attractive style, with such a fluency of language, with such a vividness of imagery, that it will flow around anything and overcome nothing. At the other extreme there is another sort of Christianity, corybantic Christianity. There is a cartoon on the wall there, a drawing of four rather austere clerics, and the date is 1626. Outside you see somebody rousing a rabble – not unheard of in these days. The four rather serious looking clerics are trying to bring a bit of reason into it all; and the man outside is an exponent of corybantic Christianity, the Christianity that is the direct oppposite of that I have been describing tonight – and appeals all the time to the emotions in which people get carried away, and leads in the end to a very dangerous, in fact terrible, fanaticism – the very negation of the Christian spirit.’

It is a fascinating footnote to our previous post and video about our Rowel Friers cartoons, another part of the story that takes us back even further in time, in this case to 1626.