Further reflections on Lime Street

I was back on Lime Street about ten or eleven days after the previous post (Digging up History on Lime Street). Lime Street is most notable for a number of things: the railway station that bears its name and, of course, St George’s Hall.

A pensive and solitary Benjamin Disraeli emerges from the classical splendour of St George’s Hall

But as I went past the road works I noticed that all the setts/cobbles had been removed as well as the old tram lines. I also noticed that a very deep hole had been dug in the road.

Stopping to take a picture a voice from behind me asked ‘Are you in the habit of taking pictures of large holes in the road?’ It was one of the work men who seemed pleased that someone was photographing their handiwork. He and his colleague explained that all the setts had been taken away to be re-used by the Council and that the tramlines had been taken away for scrap. They were widening the pavement, adding a cycle lane and – inevitably – narrowing the road. The hole, apparently, was to allow the planting of trees which would form a barrier between the cycle lane and the road.

Further up the road, in front of Lime Street Station, they have already planted trees and I suppose these will be something similar:

There are a lot of road works going on and safer and well-landscaped roads can only be an improvement but I can’t help wondering what they expect to happen to the current volume of traffic. In the meantime the streets are busy with diggers, barriers and cordons:

St George’s Hall

Looking along Lime Street towards St George’s Hall
Detail of St George’s Hall, by Harvey Lonsdale Elmes

Sunday Service, from Oxford

Merton Street, looking towards Canterbury Gate
Today’s online Sunday service comes from Oxford (click on the video above after 9.45 am on Sunday, 15th August 2021)

Our service is filmed in Oxford and features some of the well-known as well as some lesser-known sights of Oxford. Sue Steers reads Psalm 96 and Jenny Narramore shares an important part of College life in Christ Church. We also have a short reading from ex-slave and abolitionist’s autobiography The Interesting Narrative of the Life of Olaudah Equiano. Our organists play five hymns: Thine be the glory, John Strain, Ballee; Be still for the presence of the Lord, Laura Patterson Downpatrick; Praise to the Lord, the Almighty, Alfie McClelland, Clough; How deep the Father’s love, Allen Yarr, Dunmurry; Blest are the pure in heart, John Strain, Ballee.

View across the Meadows to Christ Church
Mercury, Tom Quad

Oxford

As a visual experience Oxford never disappoints. As the seasons change, as the weather or the light changes even in a single day, so the buildings repay careful scrutiny, with the colours of the stone reflecting the sun, the rain, a glowering sky or the bright blue backdrop of recent sunny days. There are less tourists now. Even the lure of Harry Potter and Inspector Morse are no longer sufficient to cram the streets with eager faces, although the city is busy enough despite the pandemic.

But here are a few images I took recently over a couple of days.

The Sheldonian Theatre, designed by Sir Christopher Wren
Tom Quad at Christ Church, with more work from Sir Christopher Wren in Tom Tower
Peckwater Quad, Christ Church
View of the Radcliffe Camera and All Souls College from the University Church
Statue of Cardinal Wolsey, Christ Church (Photo: Sue Steers)
Fireplace in Christ Church Hall. The elongated necks on the brass figures on either side of the fire are said to have inspired one of the scenes in ‘Alice in Wonderland’. Lewis Carroll was a Student (ie Fellow) of Christ Church
Cardinal’s hats on gates at Christ Church
Cloisters at Christ Church Cathedral, with organ playing in the Cathedral. A short video (49 seconds)

The A to Z of Non-Subscribing Presbyterianism: E to G

We are continuing with our alphabetical exploration of the Non-Subscribing Presbyterian Church of Ireland and have added the letters E to G to the sequence.

Education

Click on the video to see the service for Sunday, 25th July 2021

Filmed at Ballee, church organist John Strain plays the hymns Lord for tomorrow and its needs (Irish Presbyterian Hymnbook 4) and How deep the Father’s love for us (Irish Presbyterian Hymnbook 407). The reading is from Proverbs ch.9 v.1, 5, 6, 9, 10.

We look at the importance of education to Non-Subscribers across the centuries, including the Killyleagh philosophy school.

Out of our good liking for learning, and for the encouragement of the same in this place, and particularly for encouraging the philosophical school taught at Killileagh, by Mr James McAlpin, professor of philosophy; and in consideration that he is, in the future, to keep and teach the said school, at the town of Killileagh, do hereby oblige ourselves to provide him and his family a convenient dwelling-house…

Part of the original agreement for Killyleagh Philosophy School (1697).

Faith

Click on the video to see the service for Sunday, 1st August 2021

Non-Subscribing Presbyterian Worship from Ballee for Sunday, 1st August conducted by the minister, Rev Dr David Steers. The reading is from Habakkuk ch.2 v.1-4. John Strain plays the hymns: Father I place into your hands (Irish Church Hymnal 565) and By cool Siloam’s shady rill (Hymns of Faith and Freedom 399).

John Strain at the organ at Ballee

Gifts of the Spirit

Click on the video above to see the service for Sunday, 8th August (after 9.45 am)

The seventh in our series of alphabetical explorations of the Non-Subscribing Presbyterian Church of Ireland. This week G – Gifts. Non-Subscribing Presbyterian Worship from Clough, conducted by the minister, Rev Dr David Steers. The reading is from 1 Corinthians ch.12 v.4-12. Church organist, Alfie McClelland, plays the hymns Walk in the light’ (Hymns of Faith and Freedom 334) and City of God, how broad and far (Hymns of Faith and Freedom 202).

Digging up history on Lime Street

They are digging up the streets of Liverpool city centre all over the place at the moment. This is very much the case on Lime Street where they seem to be widening the pavement at one point and presumably planning to lay a new road surface.

Lime Street is a key thoroughfare in the city’s history. It has undergone some ‘development’ in recent years most notably with the controversial demolition of the old Futurist Cinema which I photographed when efforts were being made to save it. I never posted those pictures at the time although I might do in the future. The Futurist dated back to 1912 and deserved to be preserved. Over the road is the art deco frontage of the former ABC Cinema which is in some sort of limbo but also deserves preservation. I have some interesting historic photographs of Lime Street in times gone by which I might post up at some point. But walking along Lime Street now you are coralled behind a large fence, beyond which a digger is removing the old setts which can be seen in part of the road.

The orignal road surface revealed

It is interesting to see what once constituted the road surface in Lime Street. The digger is scooping up the setts, noisily shaking them about to remove all the excess debris, and then piling them high at the side of the road.

Digging up the setts
Setts piled up

But the other thing this work seems to be exposing is some of the old tramlines on Lime Street. Disused for seventy years and probably unseen for almost as long the tramlines have been uncovered by the digging.

Some of the tramlinse
Further tramlines opposite the ABC Cinema

What will happen to the old tramlines? Presumably the old setts are going to be sold off or possibly reused somewhere by the Council. I don’t know what you do with old tramlines, but it is interesting to see them, and interesting to reflect on what lies below the surface of our streets.

Ghost sign, Berry Street, Liverpool

Ghost sign Berry Street

Driving through the maze of roadworks in Liverpool my eye caught this ‘ghost sign’ on the end of a building in Berry Street. It was revealed when the building next door was demolished last year. It’s an intriguing glimpse into the past.

It’s interesting because, although it is quite clear, it isn’t complete either and is not all that simple to date. Outdoor what? Prices? It’s hard to make out. Are these prices for single bottles of pints or half-pints or are they for bulk purchases? Certainly it is a brewery sign, but because the whole sign is not legible it is hard to tell what exactly is being offered. Over 2 shillings for a pint of beer seems very high for the 1960s, which really is the latest this could date from.

The fact that it mentions the beer (if it is beer) is ‘supplied in screw stoppered bottles’ suggests a much earlier date than the 1960s. Who in the 1960s made an advertising feature of ‘screw stoppered bottles’? In fact this detail suggests a much older date for the sign. Screw stoppered bottles were invented in 1872 by Henry Barrett and used for over 100 years. Made of ‘vulcanite’, or vulcanised rubber, they must have made the portability of beers and other liquids remarkably simple. Nicola White, who has made a lot of interesting videos about her mudlarking on the Thames, has found many examples of these type of bottle tops and has written a very interesting article about them here.

The surviving artwork makes the advertisement look quite old. The gold frame that surrounds the message suggests, to me at least, an early date, pre-First World War possibly. In this case the prices must be for bulk purchases. It is a pity the top of the advertiement is missing, but a fascinating piece of history nonetheless.

The view along the road

The picture is taken on the corner of Roscoe Lane. Peeping above what was once the pub/hotel which bears the sign is the top of Liverpool Cathedral. On the right you can see what was once Great George Street Chapel, you can read more about that building on this blog here.

The A to Z of Non-Subscribing Presbyterianism: Doors

Having reached the letter ‘D’ in our alphabetical survey we look at ‘Doors’.

Doors are both highly symbolic and completely essential for our meeting-houses. In this service we look at the doors we find in the Non-Subscribing Presbyterian Church of Ireland.

In religious art perhaps the most famous image of a door is that found in William Holman Hunt’s Light of the World:

Light of the World by William Holman Hunt. Manchester Version. Public Domain. Wikipedia Commons

A more ornate image than the Non-Subscribing Presbyterian Church doors that appear in today’s film. An image inspired by the reading used in today’s service:

Behold, I stand at the door and knock; if any one hears my voice and opens the door, I will come in to him and eat with him, and he with me.

Revelation ch.3 v.20.

What meaning can we find in the doors of our churches, what can they tell us of our attitudes and faith?

Sunday Service. The A to Z of Non-Subscribing Presbyterianism: Doors. Click on the video to see today’s service – after 9.45 am on Sunday, 18th July 2021

Today’s service comes from Dunmurry. The pianist is Allen Yarr who plays Ye holy angels bright (Church Hymnary 39) Yield not to temptation (Church Hymnary 704) and Jesu, Joy of Man’s Desiring, by J.S. Bach. The reading is Revelation ch.3 v.20-22.

All the doors mentioned in the video can be seen on my Non-Subscribing Presbyterian History blog beginning here: Portals to a Liberal Faith

And remember each week we will upload a new video that will go live on Sundays at 9.45 am. The services can be found on our YouTube channel. Click here to see the videos

The A to Z of Non-Subscribing Presbyterianism: Collecting Ladles

Collecting the Offering in a Scottish Kirk by John Phillip, 1855. (Public Domain. Wikimedia Commons. York Museums Trust)

At first sight it might seem strange to select Collecting Ladles as the subject for letter ‘C’ in our alphabetical exploration of the Non-Subscribing Presbyterian Church. But Collecting Ladles formed a fairly essential part of church life for Presbyterians in Ireland and Scotland for generations. In some places they are still in use today but often aren’t recognized by those outside the Scots-Irish Presbyterian community. The above picture perfectly illustrates their use in a church in Scotland. It is a delightful image, although the people in the pew being asked for their offering seem to display something of the modern concept of the ‘messy church’ more than anything else. But collecting ladles also lead us into questions of giving and the stewardship of resources.

To see the service click on the above video after 9.45 am on Sunday, 11th July

Our service today is filmed in Downpatrick. Church organist Laura Patterson plays the hymns God has spoken to his people’ (Mission Praise 182) and How can I keep from singing (Hymns for Living 133/Mission Praise 1210). The reading is 2 Corinthians ch.9 v.6-8.

Eighteenth-century collecting ladle Downpatrick (two ladles from Ballee at the top of the page)

The A to Z of Non-Subscribing Presbyterianism: Bible

In this service we look at some Bibles that also give us a hint of the historical identity of Non-Subscribing Presbyterians.

All Souls’ Church, Belfast possesses a number of very interesting Bibles, including one printed by the printer James Blow in Belfast in the early eighteenth cnetury. We look at the Clough Bible of 1793 as well as Bibles that belonged to Rev Alexander Gordon and Rev James Martineau.

The Clough Bible, dated 1793

Clough’s old Bible was presented to the church by the first minister in the new meeting- house of 1837, some 44 years after it was printed in Edinburgh. The inscription, which is shown in today’s video, emphasises the Rev David Watson’s belief that the Non-Subscribing church represented contuity with the original congregation or, as he styled them, ‘the Members of the New Presbyterian House of Worship in Clough’.

We also look at a Bible that once belonged to the Rev Alexander Gordon. You can discover more about him in this video. But this Bible stands out because it is the Revised Version of 1881-1885 (the New Testament was brought out first in 1881) ‘Newly Edited by the American Revision Committee’ in 1901 and published in New York.

Alexander Gordon’s signature on the title page

Another Bible is one that once belonged to Rev James Martineau when he was minister of Eustace Street in Dublin from 1828 to 1832. There is some information about James Martineau on this blog here. He left Eustace Street after only a short ministry but judging by the date of this Bible, 1818, and the fact that it was discovered in Ireland, it seems likely that it was one he used in this ministry in Dublin. All this and more can be found in today’s service.

Click on the video to see the service (after 9.45 am on Sunday, 4th July)

Filmed in Ballee, Downpatrick and Clough Ballee organist John Strain plays the hymns I am not worthy Holy Lord (Irish Presbyterian Hymn Book 384) and Just as I am (Hymns of Faith and Freedom 268). The reading is from Acts ch.8 v.26-40. The service is conducted by Rev Dr David Steers.

Faith and Freedom Spring and Summer 2021

The latest issue of Faith and Freedom (Spring and Summer 2021, Number 192) has just been published.

Cover, Issue 192

Our cover features a striking image that is a piece of ‘discovered art’. A picture by an unknown New Zealand artist which complements so well Wayne Facer’s book A Vision Splendid: The Influential Life of William Jellie, A British Unitarian in New Zealand, which has recently gone into its second edition. The picture also appears on the cover of that book. This publication is the subject of an extensive essay and review by Graham Murphy. In Unitarianism in New Zealand: Essay and Review he uncovers the origins of Unitarianism in New Zealand through the exertions of British and Irish expatriates, most notably Moneyreagh-born William Jellie, and their relationship with Maori culture and the development of the colony right up to the devastating impact of the First World War.

Memorial to Robert and Dermot Neill in Holywood Non-Subscribing Presbyterian Church

Colin Walker writes about The commemoration of three Ulster Unitarians who died at the Somme: Captain James Samuel Davidson, Lieutenant James Dermot Neill and Second Lieutenant Ernest George Boas. They were all the sons of prominent Ulster businessmen, all served in the 36th ‘Ulster’ Division and all were commemorated by plaques created by Ulster artist Rosamond Praeger who was herself a Unitarian and probably knew all three of them personally. All were caught up in the Home Rule Crisis immediately before the war and all of them signed the Ulster Covenant, including Ernest Boas who was Jewish by descent but brought up in the Non-Subscribing Presbyterian Church. Dr Walker skilfully unpacks the connections between them and also Rosamond Praeger (who like Ernest Boas was also from an originally Jewish family) and reflects on their faith and their legacy.

Rev Frank Walker

In Incarnation: the Supernaturalist Story and the Humanitarian Story, a sermon originally preached in Cambridge, Frank Walker assesses the way the Christian doctrine of the Incarnation can be understood in the light of humanity’s repeated cruelty and excesses, seen most notably in the Holocaust. Despite the obvious problems he finds reason to be optimistic: ‘Incarnation is a continuing reality. Creative energy is forever expressing itself in all the glorious and stupendous variety of life on earth and in the whole universe. And life, which often seems so fragile and vulnerable, subject to catastrophes and extinctions, is so tenacious and adaptable, and is constantly renewing itself’.

William Ellery Channing by Henry Cheever Pratt 1857. (Wikipedia, Public Domain)

A Chautauqua performance is ‘a uniquely American dramatic format’ in which is portrayed an individual historic figure, ‘as if returning to life to address the audience’. Back in the Spring and Summer issue of Faith and Freedom in 2019 Kevin Murphy provided us with a Chautauqua performance concerning Francis David. In this issue he does the same for one of the most prominent American Unitarian theologians in history. An Appearance of William Ellery Channing: A Chautauqua Performance is a wonderfully insightful exploration of the theology that Channing came to espouse in the context of the circumstances of his life.

Books Reviewed

Martin Camroux (foreword by David R. Peel), Keeping Alive the Rumor of God: When Most People are Looking the Other Way, WIPF & Stock, Eugene, Oregon, 2020, pp 204, ISBN 978-1-7252-6241-6, £20 pbk.

Accessing a reliable grounding in wonder

Reviewed by BOB JANIS DILLON

Bert Clough, Dancing with Mortality: Reflections of a Lapsed Atheist, Bert Clough, Newbury, England, 2020, pp 111, ISBN 978-1-8381695- 0-3, £10 pbk.

Finding truth through the lives of ‘great souls’

Reviewed by JIM CORRIGALL

Marcus Braybrooke, Meeting Jewish Friends and Neighbours, Marcus Braybrooke, 17 Courtiers Green, Abingdon, OX14 3EN, marcusbraybrooke4@gmail.com, 2020, pp 225, ISBN 9798564270243, £12.50 post free.

A comprehensive analysis of Jewish faith and life

Reviewed by PETER GODFREY

Wayne Facer, Prophet at the Gate. Norman Murray Bell and the Quest for Peace, Blackstone Editions, Toronto, 2021, ISBN 9781775355656, $25 NZD pbk.

Norman Murray Bell – Pacifist and anti-war campaigner in New Zealand

Reviewed by GRAHAM MURPHY

Catherine Robinson (ed.), Fragments of Holiness, The Lindsey Press, London, 2019, pp 205, ISBN 978-0-85319-091-2, £9 pbk.

An anthology for daily use

Reviewed by LENA COCKROFT

Cliff Reed. Beyond Darkness Words for Reflection, Lindsey Press, London, pp 134, ISBN 978-0-85319-095-0, £9 pbk.

Waking up to the Divine within you

Reviewed by DAVID STEERS

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