They are digging up the streets of Liverpool city centre all over the place at the moment. This is very much the case on Lime Street where they seem to be widening the pavement at one point and presumably planning to lay a new road surface.
Lime Street is a key thoroughfare in the city’s history. It has undergone some ‘development’ in recent years most notably with the controversial demolition of the old Futurist Cinema which I photographed when efforts were being made to save it. I never posted those pictures at the time although I might do in the future. The Futurist dated back to 1912 and deserved to be preserved. Over the road is the art deco frontage of the former ABC Cinema which is in some sort of limbo but also deserves preservation. I have some interesting historic photographs of Lime Street in times gone by which I might post up at some point. But walking along Lime Street now you are coralled behind a large fence, beyond which a digger is removing the old setts which can be seen in part of the road.
It is interesting to see what once constituted the road surface in Lime Street. The digger is scooping up the setts, noisily shaking them about to remove all the excess debris, and then piling them high at the side of the road.
But the other thing this work seems to be exposing is some of the old tramlines on Lime Street. Disused for seventy years and probably unseen for almost as long the tramlines have been uncovered by the digging.
What will happen to the old tramlines? Presumably the old setts are going to be sold off or possibly reused somewhere by the Council. I don’t know what you do with old tramlines, but it is interesting to see them, and interesting to reflect on what lies below the surface of our streets.
Driving through the maze of roadworks in Liverpool my eye caught this ‘ghost sign’ on the end of a building in Berry Street. It was revealed when the building next door was demolished last year. It’s an intriguing glimpse into the past.
It’s interesting because, although it is quite clear, it isn’t complete either and is not all that simple to date. Outdoor what? Prices? It’s hard to make out. Are these prices for single bottles of pints or half-pints or are they for bulk purchases? Certainly it is a brewery sign, but because the whole sign is not legible it is hard to tell what exactly is being offered. Over 2 shillings for a pint of beer seems very high for the 1960s, which really is the latest this could date from.
The fact that it mentions the beer (if it is beer) is ‘supplied in screw stoppered bottles’ suggests a much earlier date than the 1960s. Who in the 1960s made an advertising feature of ‘screw stoppered bottles’? In fact this detail suggests a much older date for the sign. Screw stoppered bottles were invented in 1872 by Henry Barrett and used for over 100 years. Made of ‘vulcanite’, or vulcanised rubber, they must have made the portability of beers and other liquids remarkably simple. Nicola White, who has made a lot of interesting videos about her mudlarking on the Thames, has found many examples of these type of bottle tops and has written a very interesting article about them here.
The surviving artwork makes the advertisement look quite old. The gold frame that surrounds the message suggests, to me at least, an early date, pre-First World War possibly. In this case the prices must be for bulk purchases. It is a pity the top of the advertiement is missing, but a fascinating piece of history nonetheless.
The picture is taken on the corner of Roscoe Lane. Peeping above what was once the pub/hotel which bears the sign is the top of Liverpool Cathedral. On the right you can see what was once Great George Street Chapel, you can read more about that building on this blog here.
Our worship today comes from Ballee Non-Subscribing Presbyterian Church and is the first in a new series considering significant Non-Subscribers from history.
Alexander Gordon was born in Coventry on 9th June 1841 and died in Belfast on 21st February 1931. A self-styled Englishman by birth, Scotsman by education and an Irishman by inclination Alexander Gordon was the foremost historian of religious dissent in the British Isles whose influence is still recognized today.
I’ve mentioned before the above photograph of Alexander Gordon, (click here to see the original post) the last known picture of him, arriving at Dunmurry to take the service in 1931 and this and many other images are used in the video for today’s service.
The service is recorded in Ballee Non-Subscribing Presbyterian Church and is conducted by the minister. The reader is Carol Nixon who reads Psalm 100 and the organist is John Strain who plays the hymns Spirit of God, unseen as the wind (Irish Presbyterian Hymn Book 478) and Fairest Lord Jesus (Irish Presbyterian Hymn Book 19). Also played at the beginning and end of the service are As the deer pants and Who is on the Lord’s side.
As well as the images connected with Alexander Gordon the film includes video of the eighteenth-century roof beams of Ballee Church constructed from Memel pine.
Over the course of a long career Gordon was minister of a number of congregations in England and Ireland and was Principal of the Unitarian College, Manchester and lecturer in Ecclesiastical History at the University of Manchester, in what was then the first free faculty of Theology in Britain. He was also a renowned historian who travelled all over Europe in the course of his work. He regularly travelled between England and Ireland, even throughout the First World War, and always travelled from wherever he was to Dunmurry in order to attend the twice yearly communion services there. He also travelled across Europe visiting record offices and archives – most notably in Poland, Hungary and Transylvania – at a time when such visits were rare and logistically difficult. This is referenced in the service. His researches, whose subject matter stretched over centuries and many areas of religious life, link us with the past and with his life. They set us in context and in time.
Time is the feather’d thing, And, whilst I praise The sparklings of thy looks and call them rays, Takes wing, Leaving behind him as he flies An unperceived dimness in thine eyes. His minutes, whilst they’re told, Do make us old; And every sand of his fleet glass, Increasing age as it doth pass, Insensibly sows wrinkles there Where flowers and roses do appear. Whilst we do speak, our fire Doth into ice expire, Flames turn to frost; And ere we can Know how our crow turns swan, Or how a silver snow Springs there where jet did grow, Our fading spring is in dull winter lost. Since then the Night hath hurl’d Darkness, Love’s shade, Over its enemy the Day, and made The world Just such a blind and shapeless thing As ’twas before light did from darkness spring, Let us employ its treasure And make shade pleasure: Let ‘s number out the hours by blisses, And count the minutes by our kisses; Let the heavens new motions feel And by our embraces wheel; And whilst we try the way By which Love doth convey Soul unto soul, And mingling so Makes them such raptures know As makes them entranced lie In mutual ecstasy, Let the harmonious spheres in music roll!
This Sunday our Easter service comes from the First Presbyterian (Non-Subscribing) Church, Downpatrick. We are starting to move back to worship in our churches but are continuing with our online services on YouTube as well.
Easter Service from Downpatrick
The service is conducted by the minister, Rev Dr David Steers, and features church secretary Mary Stewart as reader (Matthew ch.28 v.1-10), Molly McCloy as soloist and Laura Patterson as organist. Gerard Manley Hopkins poem Easter is also read.
Good Friday Reflections
Sue Steers gives this reflection on Good Friday which combines an examination of a famous human story from 1912 with Jesus’s sense of destiny and self-sacrifice, looking also at images of Jesus, including this early Byzantine mosaic picturing Jesus without a beard. John Strain plays the organ at Ballee with the hymns My Faith Looks up to Thee (Irish Presbyterian Hymn Book 72), Jesus Shall Reign Where’er the Sun (Hymns of Faith and Freedom 288) and Thou Whose Almighty Word (Hymns of Faith and Freedom 173).
Our online Sunday worship today comes from Clough and has, as its starting point, Psalm 121
I lift up my eyes to the hills. From whence does my help come? My help comes from the LORD, who made heaven and earth.
Psalm 121 is associated with travelling and with pilgrimage, neither of which are particularly possible at the moment, but the reading is given a vivid backdrop by the sight of the mountains of Mourne.
In the service Clough church organist Alfie McClelland plays the hymns: Seek ye first the kingdom of God, Once to every soul and nation and Through all the changing scenes of life.
Click on the video below to see the service:
By tradition St Patrick is buried in Downpatrick but this year the town was inevitably much quieter and more subdued than usual, although a brief ceremony was held at his grave. But I recorded a few reflections on St Patrick’s Day which can be seen in the following video:
According to tradition St Patrick is buried with the remains of St Brigid and St Columba here in the grounds of Down Cathedral.
The story of Adam and Eve in the Garden of Eden is a powerfully potent one in the human imagination. Often seen as the source of sin in the world, in today’s service we examine this well-known story in the light of a view of the Bible that is less hidebound by fundamentalism and a literal approach and which relies instead on the use of human imagination and appreciates the importance of metaphor. A tradition that goes back at least to the writings of Origen.
The service comes from the First Presbyterian (NS) Church, Downpatrick and is conducted by the Rev David Steers. The reading is from Genesis ch.2 v.15 – ch.3 v.8. Church organist Laura Patterson plays You are my strength, When He cometh and For the beauty of the earth.
So out of the ground the Lord God formed every animal of the field and every bird of the air, and brought them to the man to see what he would call them; and whatever the man called every living creature, that was its name. The man gave names to all cattle, and to the birds of the air, and to every animal of the field.
The latest issue of Faith and Freedom (Autumn and Winter 2020, Number 191) is now available and on its way to subscribers.
In this issue Professor Emily Klenin shares her research into a significant Unitarian Universalist Church building. Geography, History, and the Inner Light: Decorating a Unitarian Church in Central Pennsylvania, 1899 – 1932 explores the story of a unique building. The Unitarian Church of Our Father was established in Lancaster, Pennsylvania in 1902 and as the new church was built it became the venue for a remarkable experiment in art and design thanks to the involvement of local millionaire M.T. Garvin. According to Professor Klenin there is no evidence that ‘that any of his contemporaries thought him personally interesting’ but Garvin was a secretive and generous philanthropist who bequeathed his department store to his staff and funded the creation of this church in the American Gothic Revival style with Arts and Craft influences. Born a Quaker, M.T. Garvin became a Unitarian and built the church with its Chapel of the Emancipators decorated throughout with stained glass of the highest quality created by the Bavarian firm of F.X. Zettler. The ‘emancipators’ memorialized include William Ellery Channing, Theodore Parker, Joseph Priestley, William Penn, significant American Presidents and many more including a rare window celebrating the League of Nations. Devices and symbols incorporated in the windows are explained by Professor Klenin. In a masterful article Professor Klenin describes the building, its decoration and the influences that led M.T Garvin to create it. Blending theological knowledge with artistic appreciation and considerable technical knowledge she gives a brilliant account of this remarkable building:
The southeast window in this way becomes a focal point for force lines (a structural notion native to engineering…but borrowed by modernist painters) linking windows with pulpit, south window with south window opposite, and southeast with northeast and northwest. But there is more. The light from without, specified textually at the bottom of the window, also finds a vertical counterpart high above the pulpit, in the wooden bas relief showing Quaker founder George Fox, facing the congregation and accompanied by a text stating that he is ‘preaching the Inner Light’.
David A. Williams is a distinguished emeritus professor of astronomy and a former President of the Royal Astronomical Society. In Is anybody out there? he examines the most recent research that deals with the possibility of life elsewhere in the universe. How many ‘exoplanets’ have been found orbiting stars in the Milky Way? How many might be in the habitable zone? How long might civilizations last? How might they get in touch? All these things are discussed.
Coronavirus, conspiracy theories and paranoia is the topic discussed by Dr Charles Stewart, a pharmaceutical physician. Dr Stewart looks at how the current outbreak of Covid-19 began and ties this in with various conspiracies and fears. The Rev Frank Walker tells the story of Sebastian Castellio, the Pioneer of Toleration which includes discussion of the role played by Michael Servetus. Catherine Robinson is a member of the Unitarian congregation in Oxford which meets in the chapel of Harris Manchester College. In ‘A Sincere Communion of Souls’: Unitarians in Oxford 130 years ago she tells the story of how the congregation was founded in Oxford, a place then viewed by some Unitarians as ‘a bastion of conformity and orthodoxy’.
There are, as always, some insightful and important reviews – Jim Corrigall on Alastair McIntosh’s latest theological reflection on the climate crisis, Riders on the Storm: The Climate Crisis and the Survival of Being; and on Guy Shrubsole’s Who Owns England? How We Lost Our Green & Pleasant Land & How to Take it Back. Professor Alan Deacon reviews John Barton, A History of the Bible: A Book and its Faiths, a ‘beautiful, affirming book’ which looks at the creation and history of the Biblical texts and their relation to faith and the church. Finally, David Steers reviews a remarkable account by Gladys Ganiel and Jamie Yohanis of the theological impact of the ‘Troubles’ on members of one Irish denomination in Considering Grace. Presbyterians and the Troubles.
Emily Klenin’s photographs of the windows of the Unitarian Universalist Church of Lancaster, Pennsylvania can be seen at this link:
I purchased this postcard on eBay recently. It is not in great condition but it is a fairly rare example of a Baird of Belfast postcard of the Non-Subscribing Presbyterian Church at Crumlin. It came with added interest because it was sent by Mrs Ashworth to her friend Mrs Arbuckle of 16 Danube Street, Belfast in June 1908. The message gives us a little glimpse into Non-Subscribing Presbyterian church life in 1908.
Mrs Ashworth, the author, writes in friendly, yet also fairly formal tones to Mrs Arbuckle. Mrs Ashworth (as she describes herself) was the wife of the Rev Alexander Osborne Ashworth minister of York Street Non-Subscribing Presbyterian Church at the time. She refers to her husband only as Mr Ashworth in her short note although also mentions a person called Blanche who appears to be their daughter. They are also staying in the manse at Crumlin. ‘Mr Ashworth, Blanche and I’ came to the manse on 1st June, ‘Mr & Mrs Bowen & Jack’ left the same evening for Wales where they would remain for most of the month before returning for a six week stay at Carnlough. Prior to sending the card the Ashworths had made some unsuccessful attempts to meet up with Mrs Arbuckle and her family.
It’s not possible to identify the Mrs Arbuckle, but there is a good chance that she was a member of York Street Church, indeed there was a Mary Arbuckle living on York Street itself in the 1901 census and Danube Street is certainly within the catchment area of York Street Church.
Most of the contents reveal mundane domestic arrangements involving three Belfast families over 110 years ago. But knowing that two of those families were the families of NSP ministers and the fact that it was all written on a postcard depicting Crumlin Church enables us to put some flesh on the bones of this brief correspondence.
Mr and Mrs Bowen were the Rev Samuel Evans Bowen and his wife. S. E. Bowen was called to be minister of Crumlin in 1908, he was ordained later in the year on 3rd September by the Presbytery of Templepatrick. It may be that Alexander Ashworth and his wife were preparing the manse for their arrival, although he was clerk of the Presbytery of Antrim at that time and was still minister of York Street until 1909 when he retired, although he continued as a very active senior minister until 1913 and remained active in his denomination for many years afterwards until his death in 1935. Ashworth was born in the Rossendale valley in Lancashire in 1846 and trained at the Unitarian Home Missionary College. He came to York Street in 1893 after previous ministries in Chatham, Stalybridge, Doncaster and South Shields. For many years he was also the Sunday School Convenor for the Non-Subscribers. This job was no sinecure, in 1909, for instance, he organised the Annual Sunday School Conference at Downpatrick, an event which attracted 450 participants.
The Rev Alexander Ashworth is probably hardly remembered today, for one thing the church where he had his longest and most significant ministry was destroyed in the blitz of 1941, but he gave devoted service in many different ways for decades.
The same was true of S.E. Bowen. Another former student of the Unitarian College in Manchester he was minister in Crumlin for over twenty years (to 1929) before returning to his native Wales to minister at Allt-y-placa, Capel-y-bryn and Cwm Sychbant for 27 years. But with this postcard we get a view of the Crumlin meeting-house. Judging by the trees it is of a similar, although not identical, vintage to the photograph that appeared in the Non-Subscribing Presbyterian magazine in October 1908 to accompany the account of his ordination. In both pictures the ivy seems to be contained in identical positions but the postcard shows a small tree or bush to the right of the church which is not there in the magazine image. The postcard could be quite a few years older than the other photograph.
The Crumlin meeting-house is fairly secluded and can’t be seen from the main road. Built in 1835 it replaced an earlier church of 1715. It is a miniature replica of Belfast’s First Presbyterian Church designed by Roger Mulholland. It is interesting that the congregation of Crumlin took that building as a template for their new church over 60 years later.
Whenever I try to take an architectural photograph I always aim to get a shot of the building without the distractions of either people or vehicles. I wasn’t able to do this with this picture of Crumlin taken in the autumn of 2019. The foreground is crowded with cars. But in the long term a photograph of something like a church which includes other details that date it actually makes it more interesting to the viewer. But if I was going to compose the cars for a photograph I wouldn’t park them like that!
The interior of Crumlin has an elegant charm.
The account of S.E. Bowen’s ordination published in the Non-Subscribing Presbyterian magazine is quite full and interesting. In the service the Rev S.E. Bowen said that ‘Unitarians were a people who believed not so much in attempting a definition of religion as in working for truth and liberty, being bound together by a profound belief in the Fatherhood of God and the brotherhood of man.’ Later, over the welcome dinner there were a number of speeches given. Representing the Presbytery of Antrim the Rev W.S. Smith told the whole congregation to pick a day in October and arrive at the manse with a spade ready for three hours of work, leading the author of the report to note that the manse garden must ‘to say the least, be inferior in condition to the Garden of Eden when it was given to the father of all living to dress it and keep it’. The Rev Alexander Gordon was also there speaking highly of S.E. Bowen as a former student of his. He also related how he had recently been in the south of France and attended worship in a Protestant congregation there where the service was conducted by a young man in a congregation that only numbered sixteen, ‘yet he had been favourably impressed with the manifest consciousness of the congregation that they had come to worship, and with the energy and the earnestness of the preacher.’ It made me wonder what else Alexander Gordon did in the south of France in the summer of 1908, I can’t imagine that he just went there to sunbathe.
Today’s service comes from Dunmurry with a reading given by church member Emma McCrudden (Ezekiel ch.17 v.1-8) and the hymns played by church organist Allen Yarr.
Eagles are frequently found in the Bible and in Christian iconography. They are often found in churches:
Lectern Ullet Road Church, Liverpool
Lectern All Souls’ Church, Belfast
Click on the video to see today’s service from Dunmurry
Time for a Story: Navigation
This week’s Time for a Story is filmed in First Presbyterian (NS) Church, Banbridge and deals with the question of finding True North. With illustrations of the North Pole from the British Museum and some special music. How do we find our own internal compass to return home to the place where we wish to be?
Our service today comes from First Presbyterian (NS) Church, Banbridge. The reading is given by Sam Agnew (Mark ch. 4 v.21-34) and John Strain is the organist, playing the organ at Ballee Non-Subscribing Presbyterian Church. The hymns are O worship the King, all glorious above (Hymns of Faith and Freedom 21) and God speaks to us in bird and song (Hymns of Faith and Freedom 66).
I see an angel waiting to be released
Michelangelo, the famous Renaissance sculptor, was once encountered chipping away at a large, shapeless block of marble. “What do you see?” someone asked him. Michelangelo replied simply “I see an angel waiting to be released”. (Picture: Ullet Road Church, Liverpool).
Click on the above video to see Time for a Story: Neverland which tells the story of a famous statue in Liverpool’s Sefton Park which stands alongside the Palm House there. The video is filmed nearby in the outstanding building of Ullet Road Unitarian Church designed by Thomas and Percy Worthington at the end of the nineteenth and start of the twentieth centuries. The video also features some of the wildlife in the park as well as animation by InkLightning.
Below are some of images taken at the time in the church and in the park that relate to the video.