Between 7th and 9th May, Dunmurry congregation was visited by four Unitarian ministers from Great Britain. These included Rev Laura Dobson, minister at Chorlton, Rev Mária Pap, minister at Mansfield, Francis Elliot-Wright, student minister at Knutsford, and Rev Jim Corrigall, the London District Minister. On the evening of Tuesday, 7th May Dunmurry congregation welcomed them, plus members of other congregations and a good number of local ministers, to a social evening in the McCleery Hall. I conducted an interview/dialogue with Jim who told us about his role as London District Minister, growing up in South Africa and his anti-apartheid activities, his decades as a journalist around the world which took him to Northern Ireland among other places, as well as the theological reflections which led him eventually to enter the ministry. As part of the evening Jim shared with us the reading that means most to him in his ministry – ‘God’s Grandeur’ by Gerard Manley Hopkins – and we listened to his favourite piece of music – Nkosi Sikelel iAfrika, God Bless Africa. It was a great night enjoyed by everyone.
Left to right Rev David Steers, Rev Mária Pap, Rev Lynda Kane, Rev Laura Dobson, Francis Elliot-Wright, Rev Jim Corrigall, Rev Rev Stephen Reain Adair, Rev Brian Moodie in the McCleery Hall, Dunmurry.
On Wednesday morning we made an early start in the company of a group of members of Dunmurry and First Church to visit six churches in Belfast and county Down and learn something about their history and witness. Thanks to Gary Douds we were taken around the churches in a minibus in great comfort and we were also blessed with fantastic weather.
Some of the party at Dunmurry, ready to set off at 9.00 am.
Laura, Jim, Francis and Mária visit the grave of Rev Alexander Gordon (Principal of the Unitarian Home Missionary College) at Dunmurry.
Outside Rademon later in the day.
In most of the churches I said something about the building and the history of the congregation and in Rademon Jim Ferris shared his historical expertise to give us a talk about his congregation. Our thanks go to all the ministers and members who welcomed us in our travels including Des McKeown, Rev Chris Hudson, Rev Dr Heather Walker, Mary Stewart and David Rooney, as well as Jim Ferris.
Des McKeown welcomes everyone to First Church, Rosemary Street.
Rev Chris Hudson welcomes everyone in the chancel in All Souls’.
We had lunch in Denvir’s in Downpatrick and returned to Dunmurry just 15 minutes later than our planned schedule had anticipated, so all in all a great day out.
In Downpatrick.
Jim Ferris explains the history of Rademon.
We visited in turn Dunmurry (1779), First Belfast (1783), All Souls’ Belfast (1896), Rademon (1713), Downpatrick (1711) and Clough (1837), buildings of different styles and ages but all with their own story to tell as part of our distinctive tradition.
Back in January 2023 I posted a piece about a postcard of Dunmurry which showed the classic view of the church built in 1779. It was published in Lisburn by F.W. Harding and posted in November 1906. This is the picture:
As I mention in that post, postcards of Non-Subscribing Presbyterian churches are not that common. I have seen the 1906 view before and there is also a much later one but I was pleased to discover another postcard featuring the church, this one new to me:
This dates from a little later and although it is taken from a less popular vantage point in many ways it gives a much clearer view of the building. This card was published locally by ‘W. McCartney, Stationer and Tobacconist, Dunmurry’ in the ‘Signal Series’. It has at the bottom left hand corner the title ‘Unitarian Church, Dunmurry’ and was never posted. On the back, however, it is dated May 19th 1919 and has a message to an unnamed recipient which reads ‘With best wishes for your welfare from the People of Dunmurry and district from W. Laursen’. The name is actually a bit hard to make out but that is my best guess.
In a way it is a clearer picture than the 1906 view, being a Real Photograph, if a little damaged. But the view is not obscured by trees and you can clearly see the large amount of ivy that was then being allowed to grow over the left hand door. This is actually also present on the 1906 view although it is hard to make out behind the tree.
A modern image from more or less the same angle, taken a couple of weeks ago, shows the same view:
The view of the church hasn’t changed between 1919 and 2024. There are now houses along the side which weren’t there but the splendid building of 1779 is reassuringly the same.
On Sunday, 8th October we celebrated our service of Harvest Thanksgiving at First Dunmurry. There was a good attendance and the church was beautifully decorated. The choir sang Great is thy faithfulness and the hymns included were Come, ye thankful people, come, All things bright and beautiful, Fountain of mercy, God of love and We plough the fields, and scatter.
The whole service can be viewed on the following video:
Click on the video to see the Harvest Service
The organist and choirmaster was Allen Yarr and the service was conducted by the minister, the Rev Dr David Steers.
All donations of tinned and dried food were given to the Foodbank and fruit and vegetables were donated to FareShare.
Hale is a pretty little place close to Liverpool and now in Cheshire, although traditionally located in Lancashire. Without doubt though, its most famous son is John Middleton, the ‘Childe of Hale’.
Click on the video above to discover the story of the Childe of Hale
Visiting the village recently I made this video to record the story of John Middleton who was said to have been 9 feet 3 inches tall, so tall that at night his feet were said to protrude out of the windows of his house.
John Middleton’s house
His life story is bound up with that of Sir Gilbert Ireland, whose body guard he was, and through whose connections he visited Brasenose College, Oxford and was presented to King James I in London.
Brasenose College, Oxford which has a number of portraits of John Middleton and still names the eights boat of the rowing club ‘The Childe of Hale’.
Modern statue of the Childe of Hale by Diane Gorvin
Although the village pub is named after him it used to be that there was a lot less visibly connected to him there, apart from his grave. Nowadays there is a plentiful supply of plaques and notices and a more than life size statue. But his grave is still the object of everyone’s visit to Hale. Strangely lettered the inscription reads, once you have worked it out, ‘Borne 1578 Dyede 1623 Here Lyeth the Bodie of John Middleton the Childe Nine Feet Three.’ Locally, in recent decades, he was always more associated with Speke Hall because his most famous portrait was long displayed there, but he had no direct connection with Speke Hall. The Ireland family, the local landowners whom he served, lived at the long demolished Hale Hall.
The grave of the Childe of Hale
Hale Hall, now demolished
Hale still has its Manor House, which once inspired John Betjeman to verse, and the local church is well worth seeing but you can hear the full story of the Childe of Hale by clicking on the video at the tope of this page.
The Manor House, Hale
St Mary’s Church, Hale with John Middleton’s grave in the foreground
Recently, when in Oxford, I visited the Christ Church Picture Gallery where one of the exhibitions, entitled ‘WISH YOU WERE HERE!‘ (1 July – 30 October 2023) The attraction of Christ Church in early photographic postcards, caught my eye. It is always interesting (and rare) to see a serious art exhibition that contains items that you could afford to buy yourself. There are around 70 postcards in the Christ Church exhibition but seeing them encouraged me to start my own small collection. Prices can vary but generally cards like this should be quite cheap, they were produced and sold in vast quantities by a variety of printers and are hardly rare. So I decided to create my own small collection and focused on cheap examples of pictures of the West Front/St Aldate’s view of Tom Tower. I picked this view because although every postcard from 1900 to 1950 (or indeed to the present day) looks superficially the same you realise when you investigate closely that this is not the case. Since Tom Tower is situated on a main thoroughfare there are plenty of social changes that can be observed and a multitude of minor small details that are worth exploring in the foreground. I will work out the best way to display these images of the West Front.
But I allowed myself a small diversion into a handful of pictures of Tom Tower itself. Mainly this was because I managed to get one picture that I had seen in the exhibition which must be quite rare and was accordingly slightly more expensive than the others. This is it:
‘Christ Church Oxford under Repair, Aug. 17th 1909’. No publisher named.
I think this is a wonderful postcard. All the pictures of Tom Tower alone, largely taken from over the road, somewhere near the entrance to Pembroke College, are basically the same. There might be a vehicle of some sort somewhere in view, or a bowler hatted figure standing under the entrance to the college, but not much more.
This picture, however, is very different. The publishers give us the exact date and show us Tom Tower, not as you would expect, but covered in scaffolding. If you had turned up in Oxford to do the touristy thing and saw the tower covered in scaffolding I imagine you would be disappointed. I don’t think you would want to buy a postcard that also obscured the view. If you turned up after the work was completed and the scaffolding had been taken away I don’t think you would want to buy a picture of how it looked during restoration, unless you were very interested in scaffolding. It can’t have had a long shelf-life and it can’t have been many people’s favourite view. And yet it is a compelling image, intriguing and lively. I am glad the unnamed publisher took this view and glad to get a copy for my collection.
This card, dated 14th January 1910, was sent by Emily to ‘Mr Hammond, “The Lilacs”, Skipton Cliffe, Andoversford, Glos.’ Mr Hammond appears to have been Emily’s uncle since she also included ‘love to Aunt’ at the end of the message. And it doubled as a birthday card – ‘With every Good Wish for Many Happy Returns of the Day’, she begins. Emily might have been a student in Oxford, she was certainly resident there because she also says ‘I sent you the paper for you to read Mr Whale’s speeches our Liberal Candidate for Oxford’. ‘Mr Whale’ was George Whale who stood in Oxford in the 1906 election and lost by just 100 votes. He stood again in January 1910 but a swing of 6.4% saw him lose by over 1,200 votes to Arthur Annesley his Conservative opponent. George Whale was a freethinker and the chairman of the Rationalist Press Association. A former Mayor of Woolwich he was never successful in getting elected to Parliament.
But this was the card that Emily chose to send to her uncle for his birthday along with news of the freethinking candidate on the eve of the election in Oxford. It was, I think, an inspired choice.
‘Tom Tower Christ Church, Oxford’. Published by Vincent of Oxford. Posted 4th September 1915. Sent to Mrs Ewan Jones of Cricklewood by ‘All’, they were planning to drive to Oxford ‘with little Julian’ in the afternoon.
The other postcards of Tom Tower are all difficult to date precisely, especially when they were unposted, but they were mostly taken before the First World War, although similar examples could remain in print right up to the 1940s.
‘”Tom” Tower Christchurch, Oxford’ by J. Salmon Ltd., Sevenoaks. Unposted.
‘Christ Church, Oxford’. Published by Penrose and Palmer. Posted by Dorothy to Mrs England in Acocks Green, Birmingham on 12th November 1926.
This last photograph, published by the local firm of Penrose and Palmer, is another favourite of mine. The road is wet after a downpour and the photographer has caught a reflection of the building in the road. It’s a fine photograph. It falls somewhere between the direct images of Tom Tower on its own and the wider (landscape) views of the whole West Front but it is actually a more characterful and interesting picture than most of them.
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I was pleased to be present for the inauguration of the new statue of Frederick Douglass on Monday, 31st July 2023. I only found out about it by chance but it was good to be there for the formal recognition of Frederick Douglass as part of Belfast’s history.
Frederick Douglass was born a slave in February 1818, on Holme Hill Farm, near Easton, Talbot County, Maryland. Although slaves were not supposed to be taught to read he was taught the alphabet, taught himself to read and developed a life-long reading habit.
In 1838, at his third attempt, he successfully escaped from slavery and managed to get to New York where he married Anna Murray (1813–1882) of Baltimore. He became a preacher in the African Methodist Episcopal Zion Church and an associate of William Lloyd Garrison and an activist in the anti-slavery movement.
The Lord Mayor introduces the speakers
In 1845 he published the Narrative of the Life of Frederick Douglass, an American Slave, the first of three volumes of autobiography, and became so prominent in the anti-slavery movement that threats were made against him which led to him travelling to Britain and Ireland on a speaking tour. He spent two years speaking all over England, Scotland and Ireland. In Dublin he shared a platform with Daniel O’Connell and British supporters raised $700 to buy his freedom in the United States. This in itself was controversial as many thought it wrong to give any recognition to the idea that a human being could be bought or sold as someone’s property.
Some of those present
In the words of the Oxford Dictionary of National Biography, during his speaking tour:
He filled public halls, private homes, chapels, and churches, his audiences sometimes numbering thousands, and he often spoke on different subjects at more than one meeting a day. As well as making the abolitionist case, he spoke on women’s rights (he felt that he could not accept the vote as a black man if it was denied to women), temperance, land reform, education, and capital punishment, issues on which he never ceased to agitate.
Alan Beattie Herriot, sculptor
Of his time in Belfast he wrote:
I shall always remember the people of Belfast, and the kind friends I now see around me, and wherever else I feel myself to be a stranger, I will remember I have a home in Belfast.
Words which are among those inscribed on the plinth of his statue.
At the opening of the statue Professor Christine Kinealy said that in Belfast he spoke in Rosemary Street Presbyterian Church. But this is ambiguous because there were then three churches on Rosemary Street, two non-subscribing and one orthodox. The booklet available at the opening also suggested that he spoke in First Church on Rosemary Street. In fact he spoke at the meeting-house of the Second (Non-Subscribing) Congregation which stood behind First Church and was finally demolished in the early 1960s. He was granted the use of the meeting-house of the Second Congregation on 7th December 1845 ‘to lecture on behalf of the Anti-Slavery Society’. But it is very fitting that he should have such a fine statue erected in his memory so close to Rosemary Street.
The view looking towards Rosemary StreetLooking down Lombard Street
You can’t help but be impressed by Coventry Cathedral, impressed because everything is given such height. The entrance area that connects with the old cathedral; the glass entrance screen featuring angels and saints; the baptistry window; the Chapel of Unity; Graham Sutherland’s tapestry of Christ in Glory; the walls themselves – everything is so high. And it is all so redolent of the cutting edge of art in the mid-1950s. Of course, absolutely every building can only reflect the times it was built in but I think for a building as important as a cathedral some attempt at transcending the contraints of the present day are necessary. Now I may be very naive to imagine that a medieval Gothic cathedral ever did this, or any other type of cathedral for that matter, but if you want to be pointed to some deeper experience of the divine through the medium of a building you need something that says more than ‘This is 1954’ writ large. Even Liverpool’s Metropolitan Cathedral, which speaks volumes for the 1960s and the heavy constraints placed by money and circumstances on building a cathedral by that date, still communicates very well a more profound encounter with the truly spiritual.
Coventry Cathedral has developed a living and active ministry of reconciliation which has reached out to the whole world. Its response to the horrors of the blitz and the destruction of the old cathedral has been an inspiration to many. But as a visitor to the building, a very occasional one, I am never really sure how to respond.
The thing I remember most about visiting as a child is Jacob Epstein’s figure of St Michael conquering the devil. I think I found it a bit unsettling as a kid and I am not sure I feel any better about it now. What is it meant to communicate? Of course, I know literally what it is meant to mean, but what did it say to the world in 1962 when it was unveiled? And what does it say now? Outside the cathedral there is a slightly cloying poster which stresses the extent of the welcome given to visitors but what the ‘keep-fit mums, football dads, starving artists, tree-huggers, latte-sippers, vegans, junk food eaters…those who think the earth is flat, work too hard, don’t work, can’t spell, or are here because granny is visiting and wanted to look round’ will make of Epstein’s work is a difficult question. Cutting edge art of the 1950s has now become the imagery of horror, fantasy, comic books, movies, cartoons and anime. Does anyone feel liberated by seeing St Michael with swan’s wings getting one over the character from Hellboy? One thing we know for sure today is that evil in the world does not take that form.
But some parts of the cathedral are breathtaking. The baptistry window, designed by John Piper, floods that part of the building with an explosion of light and colour. Again its immensity hits you full on.
The same is true when you look back at the entrance screen with its dozens of ascending figures flying up in front of the old cathedral.
Again part of this is the scale, and the combination of massive candlesticks, the very high choir stalls and the stained glass that is only visible when you look back from the altar all contribute to this impressive immensity.
Even what might be termed the brutalist elements of the structure continue to impress. The wall that lets light on to the chancel and the tapestry has a grandeur and a solidity still, but if it had been placed out of doors in a housing estate or in a car park or shopping centre it would have had to have been demolished years ago:
The focus of the cathedral is Graham Sutherland’s tapestry of Christ in Glory. Once again this is so impressive because of its size; a massive tapestry, woven by hand in a single piece, weighing around a ton, it’s a remarkable piece of work. Standing between Christ’s feet is the figure of a man, emphasising humanity’s smallness before the grandeur of God.
The great height is continued in the Chapel of Unity
but not so much in the Chapel of Christ the Servant which is lined by walls of plain glass, giving a brightness and an openness to the chapel. When I was there a very moving exhibition of quotations from letters home from Indian soldiers serving in the First World War was on display, one on each window.
The Chapel of Christ in Gethsemane is also different, it resembles a cave and the sculpture on the wall by Steven Sykes shows Jesus being ministered to by an angel. It is viewed through a crown of thorns.
The ruins of the old cathedral emphasise the horrors of the blitz
and fittingly a memorial records the sacrifices of those who served on the home front in the Second World War.
One of the few things to survive the blitz in the old cathedral is the tomb of Bishop Yeatman-Biggs, the first Bishop of Coventry. He holds a model of the cathedral and, curiously, his mitre includes a swastika in its decoration. The guide book doesn’t call it a swastika but names it as a fyflot. But as the guide book also says this was an ancient religious symbol, used in different cultures before it was adopted by Nazi Germany. But it does look strange on his mitre and it has gradually become shiny as generations of visitors have pointed to it in shock or surprise.
As a building it is somewhere that I find impressive and intriguing. It does represent a positive response to the horrors of war and an affirmation that faith can overcome suffering and reach out where there has been hatred, and this is all for the good. Parts of it are wonderfully impressive and uplifting but I can’t say that, as a building, it really speaks to me in the way other cathedrals do. But it will always communicate a certain kind of optimism and fortitude that came out of the immediate post-war period.
Assembling outside Clifton House at the start of the tour
On Friday, 21st April we had a wonderful congregational visit to Clifton House. Reputedly one of the oldest buildings in Belfast, having been built in 1774, it is actually only five years older than our own church in Dunmurry. But it is a very impressive building featuring its unusual spire which must have towered over Belfast when it was first built and certainly angered the Earl of Donegall who gave the land not expecting a building that would dominate the skyline and overshadow St Anne’s parish church.
Jason Burke, one of our guides, in front of a bust of Mary Ann McCracken
Right from the start it was a much more enlightened institution than its usual name of ‘Poor House’ would indicate. Even the ‘punishment room’ was equipped with a bed, something ordinary inmates of institutions such as the workhouse might not expect in the nineteenth century. Curiously the mostly Presbyterian founders had no hesitation in employing a lottery to set up Clifton House but through that scheme were able to build a Poor House and an infirmary.
I hadn’t realised either that the Belfast Charitable Society (to give it its full name) was set up by Act of Parliament and also had responsibility for the provision of water in Belfast as well as street lighting.
Water pipe made from elm dating from 1809
Early lamp bracket in use in Belfast in the 1770s
Examples of the English Elm which were used as water pipes were on show and such was the importance of this function the Water Commissioners had to make an annual payment of £800 in perpetuity to the Belfast Charitable Society. This still continues to this day with NI Water having taken the place of the Water Commissioners and still being obliged to pay £800 per annum to the Charitable Society.
Cross-section of water pipe
The Society played its part in the development of cotton spinning and weaving in Belfast when machinery was established in the basement of the building for children to work on.
It is an impressive and dignified building, beautifully restored in recent decades and still fulfilling its original function of caring for those in need.
View from the staircase
At the heart of the building is the boardroom, a room which also has a key place in so many aspects of the history of Belfast:
Charity board in the Boardroom
The extensive tour also took us round the Clifton Street graveyard. Another repository of Belfast history.
Sadly the graveyard suffered greatly from vandalism at the start of the Troubles, although its existence was threatened fairly dramatically in its early days when it was frequently targeted by grave robbers and we were told many tales of their nefarious activities over the years.
Vandalised grave of Robert Haliday
But there is still a great deal there that connects us with Belfast’s past, many of the people buried there being Non-Subscribers. Indeed throughout the tour many of the names we heard who had been associated with Clifton House were members of our denomination.
Grave of Mary Ann McCracken and possible resting place of Henry Joy McCracken
But in the graveyard we saw the graves of such notables as Dr William Drennan (poet, doctor, educationalist, United Irishman), John Ritchie (who established ship building in Belfast), and Thomas McCabe (who successfully opposed the establishment of a Belfast slave ship company) who were all Non-Subscribers, as indeed was Waddell Cunningham who it was who proposed establishing a slave ship company in Belfast (but who isn’t buried in Clifton Street).
Grave of William Drennan
Grave of John Ritchie
Grave of Thomas McCabe
It was a fascinating tour and we are grateful to our guides for such an interesting and illuminating morning.
The 2023 issue of the Transactions of the Unitarian Historical Society includes Ian Wood’s article on his great great grandfather William Sunderland Smith, minister at Antrim from 1872 to 1912 and a figure of some note in the town at the time because of his writings on history, including the 1798 Rebellion, natural history, geology and theology.
W.S. Smith’s son William Ivan Smith was an enthusiastic amateur photographer and he took a number of pictures in Antrim in 1902 which are a main feature of this video which introduces the 2023 Transactions:
Click on the video above to find out about the Transactions and W.S. Smith
Prior to coming to Antrim in 1872 and after leaving the Unitarian Home Missionary Board in 1859 W.S.Smith had ministered successively at Aberdeen, Rawtenstall, Doncaster, Tavistock and Crediton. So he had a series of short ministries all over the country before crossing the Irish Sea and finding, one assumes, a deep sense of fulfilment in his last charge at Antrim. W.I. Smith’s visit to Antrim in 1902 produced a number of photographs which give us a splendid picture of his ministry and I am grateful to Ian Wood and his family for digitising them and for making them available.
So here is W.I. Smith’s portrait of his father:
W.S. Smith’s first wife died in 1868 but the following year, having moved from Doncaster to Tavistock , he met and married Clara Ann Clark. Ian Wood has found this cutting from the Wilts and Gloucestershire Standard which gives an engaging account of the wedding between the Cirencester Sunday School teacher and the Tavistock Unitarian minister on 9th November 1869:
In 1902 when William Ivan Smith visited Antrim he took this picture of his step-mother:
William Sunderland Smith arrived in Antrim, after a short ministry in Crediton, Devon, in 1872. He must have established a prominent name for himself in the town with publications such as Historical Gleanings in Antrim and Neighbourhood and Memories of ’98 as well as regular contributions to the Ulster Journal of Archaeology and the provision of ‘Nature Notes’ to the Northern Whig, including this account of toads in 1906:
W.I. Smith’s photograph of his father astride his preferred method of transport in Antrim suggests that he must have been a very familiar figure on the local roads at the time:
The Antrim meeting-house had been built in 1700 but under his ministry the interior was completetly refurbished in 1891. Ian Wood has found the following cutting from the Northern Whig seeking tenders to undertake this work:
This was a major undertaking which seems to have been successfully completed but images of the interior, either in its original form or in the remodelled layout created by W.S. Smith, are hard to come by. If you would like to see the interior as it looks today – denuded of its ecclesiastical furniture – click here. One postcard which I have acquired features the interior of the Antrim meeting-house as it originally looked. It is a strange picture that has been very amateurishly doctored with Rev John Abernethy’s portrait cut out from somewhere and stuck over the pulpit:
But when he came to Antrim in 1902 William Ivan Smith also took a picture of the interior of the church as it looked by this time. This is it:
Now, at first glance, this may not look like such an interesting image, but as the only surviving picture of the inside of Antrim complete with its pews it is not without importance. However, on top of that W.I. Smith was quite a skilled photographer and there is more detail in this high resolution image of a 1902 print than you might initially notice. If you click on the video above you can discover some more of what this picture contains.
Thank you to Ian Wood for researching his ancestor and for discovering these fascinating pictures and making them available.
You can find out more about the Unitarian Historical Society and the Transactions by visiting its website here.
You can see a bit more about the manse in Antrim on this website via this link.
No pictures or text may be reproduced from this site without the express permission of the author.
Volume 28 Number 2 (April 2023) of the Transactions of the Unitarian Historical Society is now ready and, as ever, it is full of interest. It contains:
To give ‘occasional contributions’ and ‘annual subscriptions’ to promote ‘those great principles of religious truth’: Unitarian Fellowship Funds in the early nineteenth century by David L. Wykes
Dr David Wykes
Our first article is by Society Vice-President David Wykes who has researched in great detail the story of the Unitarian Fellowship Funds. Although these were not long-lasting they deserve attention as an early national initiative which expressed a Unitarian identity and which found outlets all over the country. The Funds have long been neglected by historians but they are a very important indication of lay involvement in Unitarianism. They embraced both the poorer strata of society for a denomination that was often seen as appealing only to the rich, as well as gave an opportunity for women to be more actively involved in church life. The article includes a check list of Fellowship Funds and richly illustrates a movement that was one of the earliest expressions of a Unitarian denominational identity.
Emily Ronalds (1795–1889) and her social reform work by Beverley F. Ronalds
Emily Ronalds. Photograph by Edmund Wheeler, Brighton, 1880. Courtesy: Auckland Library, New Zealand, Sir George Grey Special Collections, NZMS 1235
Beverley Ronalds, a Fellow of the Australian Academy of Technology and Engineering, uncovers the life and contribution of Emily Ronalds, a much-neglected Unitarian figure who played an important part in the extension of infant schooling. In her youth she was, by nature, a retiring figure, she was later described by the American social activist Frances Wright as ‘clever’ with ‘energy of character’, while Henry Crabb Robinson spoke of her ‘vivacity & good spirits’. She had close links with many of the most advanced thinkers of her day and contributed to experiments in socialist co-operative communities, the abolition of slavery and the development of feminism.
William Sunderland Smith (1833 – 1912) and his family by Ian Wood
William Sunderland Smith photographed by his son William Ivan Smith in 1902. Courtesy: the family of W.I. Smith
William Sunderland Smith was the twelfth student to enrol in the Unitarian Home Missionary Board (later College) and went on to have a succession of ministries in England, Scotland and Ireland. Ministering, in turn, at Aberdeen, Rawtenstall, Doncaster, Tavistock and Crediton, his final and longest ministry was at Antrim. Ian Wood, his great great grandson, traces his life and that of his family, along with his theological and political ideas. A writer and journalist he developed extensive scientific interests, contributing ‘Nature Notes’ to the Northern Whig newspaper, and made numerous contributions on natural history and Irish history to the Ulster Journal of Archaeology.
Review Article. The Oxford History of Protestant Dissenting Traditions by Alan Ruston
Alan Ruston contributes a Review Article on The Oxford History of Protestant Dissenting Traditions, a five volume investigation of the place of Protestant Dissent not only in England and Ireland but also the Empire and Commonwealth, the USA and ultimately all over the world. Alan reviews all five volumes but pays especial attention to volumes two and three which contain a great deal concerning Unitarianism.
In addition we have our review section.
Dr Williams’s Trust and Library: A History by Alan Argent
A Short History of the Non-Subscribing Presbyterian Church of Ireland. Including Sketches of Individual Congregations and a Fasti of Ministers who served in them by J.W. Nelson
These Eighty Years. A Recollection by Alan Ruston
All reviewed by David Steers, Editor of the Transactions
plus
OBITUARY Professor Sir Tony Wrigley, FBA (1931-2022): a Unitarian appreciation by David L. Wykes
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