Some pictures of the butterflies and the grounds at Seaforde.
Some pictures of the butterflies and the grounds at Seaforde.
On Tuesday, 21st August a party of over 50 adults and children enjoyed the Downpatrick Sunday School visit to Streamvale Open Dairy Farm. The weather was kind and the large party were able to enjoy the various attractions on offer including feeding all manner of animals (deer, Highland cattle, sheep), tractor rides, sheep racing and a whole lot more. It was a hugely enjoyable day out for everyone and a big thank you to Annabel for arranging the coach.
Sheep (and goat) racing
Waiting for the tractor
Feeding the deer
Valois Blacknose sheep
The other two photographs which I acquired with the picture of Water Street, Liverpool in 1902 shown in the previous post (and it definitely is a picture of the festivities surrounding the coronation in 1902) are posted on this page.
They obviously date from around the same time, and may actually depict elements of the celebrations surrounding the same event. Both unfortunately have suffered damage when they were torn from their album. But one has no features that could be used to accurately locate it. It is in fact a pretty grim picture by our standards. Like the Water Street photograph it is a quickly taken snap, probably of part of a parade. A man and a boy stare straight into the camera from the right. On the left a policeman has his back to the photographer. In the centre is a large caged trailer carrying two beasts, so far as I can tell they are bears. These unfortunate animals were being dragged through the city presumably as part of some publicity for a circus or similar event, probably not I would guess a coronation float. In many ways it is an image more redolent of the sixteenth rather than the twentieth century.
The other picture certainly looks like it was taken in Liverpool and could well be part of the parade for the coronation of Edward VII. I haven’t, so far, been able to find any details of exactly what took place in Liverpool at this time but there is extant film of a large parade in Bradford for instance which gives a good idea of the sort of thing that happened in large cities to mark the coronation of the new monarch. Bands were intermixed with floats representing aspects of civic history or different industries or companies. In this picture the photographer has caught a military style band resting, the road is festooned with flags and bunting, and a large crowd looks on.
It could well be part of the Liverpool parade to mark the coronation and that seems likely since it came with another picture of that day. However, there are other alternatives. Patriotic and religious parades were a big deal in Liverpool at the time. This one does not look like it might have been ‘contentious’, as we would say today. So it could be linked to some church event. Unfortunately the details on the banner are not remotely legible but I would guess it is a church related banner rather than an Orange one (there are no signs of any sashes or collarettes in the parade so it is not an Orange parade).
But I am reminded by Giles Fraser on Radio 4’s ‘Thought for the Day’ today (29th May) that today is Oak Apple Day, once a public holiday to celebrate the restoration of the monarchy in 1660. There were groups in Liverpool who marked this day and if you look closely at the two well-dressed men on the left (both of African or Caribbean origin by the way) you can see that one of them is wearing some kind of flower or emblem that resembles oak leaves. The older man on the right with a beard also seems to be wearing the same emblem/oak leaves. The lapels of the other men in the parade are not visible unfortunately.
So is this an Oak Apple Day parade? It could be. But then what is the large object that looks a bit like a railway signal in the centre of the cropped image above? I am not at all sure. But it could be something from the end of a float. If that was the case then this might be a picture of part of the 1902 Liverpool parade for the coronation of Edward VII.
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I recently purchased three photographs on eBay. They weren’t very expensive and aren’t particularly outstanding examples of the photographers’ art but they are very interesting and quite intriguing. They are quite small (about 4 inches by 3 inches) and at some point have been unceremoniously torn from an album or scrap book. This is a pity because not only has this caused a fair amount of damage it has also separated them from their provenance.
But there is no mistaking that one of them is definitely taken in Liverpool. This makes it likely that the other two are also taken in the same city. Of the other two one has a location that is virtually impossible to identify and the other one might be possible to identify but would take a lot of work.
The print that is easily identified is a view of Water Street in Liverpool. It is instantly recognisable and the vague outline of the entrance to the Town Hall at the top of the hill confirms the location. But in fact most of the buildings that can be seen have been replaced although the character of the street has hardly changed. Apart from the Town Hall possibly the only other building in the view that still survives is Oriel Chambers. Built in 1864 with extensive use of plate glass in its façade it was then and remains today a startlingly modern building. But it can hardly be made out in this print, situated at the end of the second block of buildings on the left.
What is clear from the image is that the street is decorated with bunting, suggestive of a high profile occasion being celebrated. In this era this would often mean a royal event which could be a royal visit or (judging by the costume, transport etc) the coronation of Edward VII which took place on 9th August 1902 after an earlier postponement. I would guess this to be the most likely occasion.
What’s interesting about this photograph is that it is so casually composed, it is clearly not professionally taken and is a typical snap probably captured on a box Brownie. These were introduced at the start of the century and made photography both instant and available to all.
Detail from the photo
So this photographer stood upstairs on the back of a tram and, holding the camera at waist height, looked down into the viewfinder and took a picture looking up the hill as the tram trundled down towards the Strand. It is a moment in time and a moment of time.
The view reminded me of the recent BBC television series The City and The City starring David Morrissey. Water Street was one of the locations used to illustrate the two cities of ‘Beszel’ and ‘Ul Qoma’ which exist in the same overlapping space but enjoy quite separate existences. It was possible to pass from one city to the other but fraught with difficulties. Water Street provided the set for one of the places where it was possible to see across the border. Other parts of Liverpool provided many of the locations for one city or the other. It was an entertaining series based on a book by China Miéville which was certainly new to me. David Morrissey explains the story like this:
The concept is strange, it is a detective story told in this city, which is actually two cities that share the same footprint, but there are very strict regulations about the fact that one city cannot see the other city’s populace, they can’t look there, they can’t acknowledge them or interact with them and that creates all sorts of strange rules. Inside there is a secret police force called Breach and they are there to make sure that nobody breaks those laws of interacting between the cities.
Here is a screen grab from the programme showing Water Street:
Oriel Chambers is on the left
A stylish and imaginatively created set. But our unknown photographer, standing on the upper deck of a briefly stopped tram, succeeded in creating an atmospheric picture of his own at some point in the early years of the twentieth century.
I will return to the other two photographs in another post.
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Inch Abbey is located in what is a still remarkably peaceful and secluded setting. Founded by John de Courcy in the 1180s as his atonement for his destruction of Erenagh Abbey on the other side of Downpatrick, Cistercian monks were brought here to populate it from Furness Abbey in Lancashire. According to the tourist board it is (along with Grey Abbey on the Ards peninsula) “the earliest example of Gothic architecture in Ireland and finest example of Anglo-Norman Cistercian architecture in Ulster.” There was a monastery on this site before the present monastery, a timber church and ancillary buildings surrounded by an earth bank, founded as early as 800 AD. But this was plundered by the Vikings on at least two occasions and destroyed before its re-establishment under John de Courcy.
The view across the Quoile to Downpatrick and its cathedral gives an idea of its location near to the main settlement but quite separate from it.
Looking across the Quoile to Down Cathedral
The cathedral was also originally established as a monastery by John de Courcy in the 1180s with Benedictine monks from St Werburgh’s monastery in Chester (see https://velvethummingbee.wordpress.com/2018/02/24/chester-cathedral-refectory/).
Entrance to the chancel
Base of column
The Cistercians followed a strict rule, with much silence, little music and a self-sufficiency that eschewed the use of meat. There would have been a plentiful supply of fish for them here, the site originally was an island.
Around the ruins of the Abbey there are the remains of what have been identified as the kitchen, a bakehouse, a guest house, the infirmary and a well. The Abbey was dissolved in 1541.
In Liverpool recently I was pleased to get these pictures of the heron in Sefton Park. The heron seemed quite unperturbed by my presence and that of many other people quite nearby as he watched the lake for signs of a potential meal.
Recently I have published a couple of ‘then and now’ shots featuring Edwardian postcards and contemporary photographs on this blog. One featured a view of a street in Toxteth and one some of the churches in Banbridge. This is another ‘then and now’ view but, in this case, it is taken from a glass lantern slide of the Unitarian College building in Cluj/Kolozsvár.
I have an interesting set of magic lantern slides depicting notable sites in Hungary and Transylvania, some of them showing groups of people at what must be some sort of gathering, possibly international. The purpose of the collection, which is in a poor state and which is probably not complete, is to illustrate something about the Unitarian history and life of that region. They are not easy to date exactly but this slide helps enormously.
The Unitarian College was built in 1901, then a very modern, state of the art building which is still impressive and giving excellent service as headquarters, College as well as senior and junior schools.
It is right next door to the First Unitarian Church which can just be seen on the left of the photograph. This helps us date the slides since the College was built in 1901 and the church had the top of its tower replaced in 1908. In that year Lajos Pákey, the city architect who was educated at the Unitarian College and was also responsible for many of the prominent buildings and monuments in the town, redesigned the tower in its present baroque form. I had always assumed that this feature dated to the 1790s when the church was built and had never seen a picture of the original tower before finding this slide.
By chance I took a picture in January 2018 from the same place as the photographer of 1901-1908, not surprising since there are not so many vantage points for such a large building. But here we have the same view, separated by about 110 years.
As time and circumstance permit I will try and digitise the glass lantern slides and post them on here.
Preparations getting underway in the town
Going up to the Cathedral for the service
The congregation gather for a photograph inside the Cathedral
Processing up to the grave after the service
Visiting Bishop Alf Cooper from Chile lays a wreath
St Patrick’s grave outside Down Cathedral
The giant statue of the saint
The 2018 Faith and Freedom Calendar is now available. A complimentary copy has been sent to every subscriber to the journal and additional copies can be ordered.
If you would like to order additional copies please contact Nigel Clarke (email@example.com). For any extra copies we suggest you consider making a donation of £5. All proceeds will be donated to the Send a Child to Hucklow Fund, to help further its work in enabling disadvantaged children to enjoy a much-needed holiday in the Peak District.
We have some magnificent images – and receive far more than we could ever use, although we try to include as many as possible in the cover. The image at the top of this page is taken from the cover – it is a detail of a mosaic at the monastery of Sumela, Trebizond, taken by Anne Wild, who contributes a number of spectacular images to the Calendar.
Here are some more images from the 2018 Calendar:
West Window, Chester Cathedral (Photo: Alison Steers)
Evening in Lissagally (Photo: Paul Eliasberg)
The back page of the Calendar lists some of the thanks owed to those involved in the production. Thanks also go to Trimprint, our printers, and to Nigel Clarke who directs the whole project. Order your copy while stocks last!
A visit to Ballymena meant the opportunity to go and have a look at the former Remonstrant meeting-house there. The entry in the Unitarian Heritage book is a bit limited, as the Irish section of that otherwise invaluable book often is. It says simply ’High Street. Antrim. 1845’ in the disused churches section and gives no further details and has no illustrations. Although it is situated on the High Street it’s actually a bit tucked away and not that easy to find.
But as the photos show it is an interesting and unusual building that was erected by the Non-Subscribers in 1845. The date stone can still be seen, and although the congregation finally departed in 1926 it is not ‘disused’ having been the home of the Faith Mission church for decades.
Having said that there is precious little information on the ground in Ballymena about this building. I asked in the Faith Mission shop if they had any information on the building and they told me no. In the Council run Braid Centre – a Museum and Arts Centre – although they had an interesting collection of leaflets and other pamphlets, they had nothing on this building.
I was surprised the Council had nothing because their predecessor, the Ballymena Borough Council, had thought it worthy enough to merit a plaque which was put up in 1995, on the 150th anniversary of the building’s opening. I knew this because I was there all those years ago and somewhere have a black and white press picture of the occasion.
It is a curious building designed by Thomas Jackson, an architect with a Quaker background, who contributed a great deal to the buildings of Belfast including St Malachy’s Roman Catholic Church which, although much grander by far, nevertheless shares some architectural details with the Ballymena Remonstrant church.
The Ballymena congregation was part of the impressive missionary drive inaugurated by the Remonstrant Synod and was opened on Sunday, 9th November by Rev Henry Montgomery. I am indebted to ‘Dryasdust’ writing in the Non-Subscribing Presbyterian in September 1994 for details concerning the congregation’s life. He writes that the original congregation had 57 families in its first year of existence. Given that they had built such a notable edifice they might have been expected to be able to flourish. The first minister was the Rev Francis McCammon who was born in Larne but had been ministering in Diss in Norfolk immediately prior to receiving a call to Ballymena. Unfortunately his ministry ended fairly acrimoniously as did the ministry of his successor James McFerran. However, he was followed by the Rev J.A. Crozier (1855-1865) who seems to have been highly successful in building the church up into a flourishing cause. Unfortunately following his departure to Newry in 1865 numbers never really recovered and the last minister (Rev Halliwell Thomas) left in 1875. The congregation struggled on in some form or other until the First World War but finally closed in the 1920s with the building being sold in 1926.
The Bible Christian reported the opening in the following way:
The meeting-house of the new congregation in Ballymena, in connexion with the Remonstrant Synod of Ulster, was opened for divine worship, on Sunday, Nov. 9, by Dr Montgomery, who preached from Matthew, 10th chapter and 34th verse, an eloquent and powerful discourse. It has been erected from the designs, and under the direction of Mr. Thomas Jackson, architect Belfast. The style of the building is an adaptation of the ecclesiastical style (commonly, but erroneously called Gothic) of about the twelfth and thirteenth centuries. The front elevation is in the form of a gable, boldly enriched by projecting buttresses, with cut-stone weatherings, surmounted by pinnacles and leaving embrasures, with cut-stone dressings, extended between them. The entrance door, with the windows in front, and on the flanks of the building, is surrounded by appropriate cut-stone dressings, the sash frames being of cast metal in imitation of cut stone. In the centre of the front, over the door entrance, is a large ornamental wheel window, also formed of cast metal. The meeting-house contains 250 sittings; it is entered through a commodious porch and hall, over which is a school room, which is arranged so as to admit of being added as a gallery to the house, at a future time, should additional accommodation be required. The committee contemplate the erection of a residence for their clergyman, contiguous to the meeting-house. The following gentlemen acted as collectors on the occasion: Thomas Casement, Esq. J.P. Ballee-house; Wm. Coates, Esq. J.P. Glentoran, Belfast; Archibald Barklie, Esq. Inver, Larne; John Dickey, Esq. Leighenmore, Ballymena; Alexander O’Rorke, Esq. Ballymena; William Beggs, Esq. Lisnafillen, Ballymena. The collection, including donations from parties who could not attend, amounted to upwards of £170.